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Alexander Galich (writer)

For the Soviet dissident, see Alexander Ginzburg.
File:Galich lebedev.jpg
Alexander Galich

Alexander Galich (Russian: Алекса́ндр Арка́дьевич Га́лич; IPA: [ɐlʲɪˈksandr ɐrˈkadʲjɪvʲɪtɕ ˈɡalʲɪtɕ], Ukrainian: Олександр Аркадійович Галич; 19 October 1918 – 15 December 1977) was a Soviet poet, screenwriter, playwright, singer-songwriter, and dissident.


Galich was born Alexander Aronovich Ginzburg (Russian: Алекса́ндр Аро́нович Ги́нзбург; IPA: [ɐlʲɪˈksandr ɐˈronəvʲɪt͡ɕ ˈɡʲinzbʊrk], Ukrainian: Олександр Аркадійович Гінзбург) on 19 October 1918 in Ekaterinoslav (now Dnipropetrovsk), Ukraine, into a family of Jewish intellectuals. Galich is a pen name, an abbreviation of his last name, first name, and patronymic: Ginzburg Alexander Arkadievich. His father, Aron Samoilovich Ginzburg, was an economist, and his mother, Fanni Borisovna Veksler, worked in a music conservatory. For most of his childhood he lived in Sevastopol. Before World War II, he entered the Gorky Literary Institute, then moved to Stanislavsky's Operatic-Dramatic Studio, and then to the Studio-Theatre of A. Arbuzov and V. Pluchek (in 1939).

He wrote plays and screenplays, and in the late 1950s, he started to write songs and sing them accompanying himself on his guitar. Influenced by the Russian city romance tradition and the art of Alexander Vertinsky, Galich developed his own voice within the genre. He practically single-handedly created the genre of "bard song". Many of his songs spoke of the Second World War and the lives of concentration camp inmates—subjects which Vladimir Vysotsky also began tackling at around the same time. They became popular with the public and were made available via magnitizdat.

His first songs, though rather innocent politically, nevertheless were distinctly out of tune with the official Soviet aesthetics. They marked a turning point in Galich's creative life, since before this, he was a quite successful Soviet man of letters. This turn was also brought about by the aborted premiere of his play Matrosskaya Tishina written for the newly opened Sovremennik Theatre. The play, already rehearsed, was banned by censors, who claimed that the author had a distorted view of the role of Jews in the Great Patriotic War. This incident was later described by Galich in the story Generalnaya Repetitsiya (Dress Rehearsal).

Galich's increasingly sharp criticism of the Soviet regime in his music caused him many problems. In 1971, he was expelled from the Soviet Writers' Union, which he had joined in 1955. In 1972, he was expelled from the Union of Cinematographers. That year he became baptized in the Eastern Orthodox Church by Alexander Men.

Galich was forced to emigrate from the Soviet Union in 1974. He initially lived in Norway for one year, where he made his first recordings outside of the USSR. These were broadcast on Radio Liberty, a United States Congress-funded radio station outlawed in USSR. His songs became immensely popular in the underground scene for being openly critical towards the Soviet government. He later moved to Munich and finally to Paris.

On the evening of 15 December 1977, he was found dead by his wife, clutching a Grundig stereo recording antenna plugged into a power socket. While his death appears to have been an accident, some believe that an assassination by the KGB. As his wife was absent the whole day, no one witnessed the exact circumstances of his death.[1]

In 1988, he was posthumously re-instated into the Writers' and Cinematographers' Unions. In 2003, the first memorial plaque for Galich was put up on a building in Akademgorodok (Novosibirsk) where he performed in 1968. That same year, the Alexander Galich Memorial Society was founded.


Alexander Galich, like most bards, had a fairly minimal musical background. He played his songs on a seven string Russian guitar, which was fairly standard at the time. He often wrote in the key of D minor, relying on very simple chord progressions and fingerpicking techniques. He had basic piano playing skills as well.

Galich had a signature cadence that he would usually play at the conclusion of a song (and sometimes at the beginning). He would play the D minor chord toward the top of the fretboard (fret position 0XX0233, thickest to thinnest string, open G tuning), then slide down the fretboard to a higher voiced D minor (0 X X 0 10 10 12).


  • Alexander Galich. Songs and Poems (translated and edited by Gerald Stanton Smith) - Ann Arbor: Ardis, April 1983, 203 pages ISBN 0882339524 ISBN 978-0882339528
  • Richard A. Zavon. The Dilemma of Soviet Man: A Study of the Underground Lyrics of Bulat Okudzhava and Aleksandr Galich. - U.S. Army Institute for Advanced Russian and East European Studies, 1977, 128 pages
  • Alexander Galich. Dress Rehearsal: A Story in Four Acts and Five Chapters (translated and edited by Maria R. Bloshteyn) - Slavica Pub, February 2009, 221 pages, ISBN 0893573388 ISBN 978-0893573386


  • «A whispered cry» — sung in Russian by Alexander Galitch. Recorded in 1974 at The Arne Bendiksen Studios, Oslo, Norway.(1974)
  • «Unpublished songs of Russian bards» Produced by Hed-arzi ltd., Israel (1974)
  • «Galich in Israel — Holocaust Songs Russian» (Live Concert version, 1975). «GALTON» Studios. Manufactured By Gal-Ron (Israel).
  • «Alexander Galich — Cheerful Talk» (Live Concert version, 1975). «GALTON» Studios (Ramat-Gan), 220390, STEREO 5838. Manufactured By Gal-Ron (Israel).
  • «Alexander Galich — The laughter through the tears». Fortuna, Made in USA (1981-?)
  • Audio records of Galich reading his poetry, 2000


  1. ^ see biography on


  • Alexandr Galich, Songs and poems; transl. by Gerald Stanton Smith, Ann Arbor: Ardis, 1983, ISBN 0-88233-952-4

External links

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