Bartolomé Esteban Murillo
|Bartolomé Esteban Murillo|
|File:Autorretrato de Murillo.jpg|
late December 1617; baptised January 1, 1618|
April 3, 1682 (aged 64)|
|Known for||painting, drawing|
Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618Template:Spaced ndashApril 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times.
Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle.
Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children.
In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare) that became typical of Murillo's mature work. According to the art historian Manuela B. Mena Marqués, "in ... the Levitation of St Giles (usually known as the "Angel’s Kitchen", Paris, Louvre) and the Death of St Clare (Dresden, Gemäldegal. Alte Meister), the characteristic elements of Murillo’s work are already evident: the elegance and beauty of the female figures and the angels, the realism of the still-life details and the fusion of reality with the spiritual world, which is extraordinarily well developed in some of the compositions."
Also completed c. 1645 was the first of Murillo's many paintings of children, The Young Beggar (Musée du Louvre), in which the influence of Velázquez is apparent. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialize in the themes that brought him his greatest successes: the Virgin and Child and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa María la Blanca (completed in 1665), and others. He died in Seville in 1682 at the age of 64.
Murillo had many pupils and followers. The prolific imitation of his paintings ensured his reputation in Spain and fame throughout Europe, and prior to the 19th century his work was more widely known than that of any other Spanish artist. Artists influenced by his style included Gainsborough and Greuze.
The Museo del Prado in Madrid; Hermitage Museum in Saint Petersburg, Russia; and the Wallace Collection in London are among the museums holding works by Murillo. His painting Christ on the Cross is at the Timken Museum of Art in San Diego. Christ After the Flagellation is at the Krannert Art Museum, Champaign, Illinois. His work is also found at the Mabee-Gerrer Museum of Art in Shawnee, Oklahoma, and at the Meadows Museum at Southern Methodist University in Dallas, Texas.
- Bartolome Esteban Perez Murillo 012.jpg
Joseph and Potiphar's Wife, c. 1640–45, Cathedral of Seville
- Personificación del Verano.jpg
Young man with a basket of fruit or Personification of summer, c. 1640–50
- La gallega de la moneda.jpg
The Girl with a Coin or (Girl of Galicia), c. 1645–50
- Bartolomé Esteban Perez Murillo - The Young Beggar - WGA16348.jpg
The Young Beggar, c. 1645, Musée du Louvre
- Bartolomé Esteban Perez Murillo - Trauben- und Melonenesser.jpg
Boys Eating Grapes and Melon, c. 1645–46, Alte Pinakothek
- Bartolomé Esteban Murillo - The Flight into Egypt - Google Art Project.jpg
The Flight into Egypt, c. 1645 - 1650
- San Jerónimo leyendo (Murillo).jpg
St Jerome, c. 1650–52
- Bartolomé Esteban Murillo - Saint Peter in Tears - Google Art Project.jpg
Saint Peter in Tears, c. 1650–55
- Bartolomé Esteban Perez Murillo 020.jpg
The Virgin of the Rosary, c. 1650–55, Museo del Prado
- Isidor von Sevilla.jpeg
St. Isidore of Sevilla, 1654, Cathedral of Seville
- Bartolomé Esteban Murillo - Adoration of the Magi - Google Art Project.jpg
Adoration of the Magi , c. 1660
- Bartolome murillo-san ildefonso.jpg
Apparition of the Virgin for Saint Ildefonsus, c. 1660
- Murillo, Bartolomé Estéban - Three Boys - Google Art Project.jpg
Three boys, c. 1660
- Murillo Santa Justa.jpg
St. Justa, c. 1665
Santa Rufina, c. 1665
- Curacin del paraltico Murillo 1670.jpg
Christ healing the Paralytic at the Pool of Bethesda, 1670
- Bartolomé Esteban Murillo - Saint Rose of Lima - Google Art Project.jpg
Saint Rose of Lima, c. 1670
- Bartolomé Esteban Murillo - La Inmaculada Concepción del espejo.jpg
The Immaculate Conception of the Venerable Ones, 1678
- Saint Raphael.JPG
Archangel Raphael with Bishop Domonte, c. 1680, Pushkin Museum
- A., O'Neill (1833). A Dictionary of Spanish Painters. London: C. O'Neill. p. 246.
- "Bartolome Esteban Murillo". Encyclopædia Britannica, Inc. Retrieved 2007-08-30.
- Marqués, Manuela B. Mena. "Murillo, Bartolomé Esteban." Grove Art Online. Oxford Art Online. Oxford University Press.
- The center medallion of the badge of the Spanish Order of Charles III is clearly modeled on Murillo's unique manner of representing the Immaculate Conception.
- "Christ on the Cross". Timken Museum of Art.
- "Christ After the Flagellation". Krannert Art Museum.
- "Bartolomé Esteban MURILLO". Meadows Museum. Retrieved 2012-12-08.
|40x40px||Wikimedia Commons has media related to Bartolomé Esteban Murillo.|
- Paintings in Museums and Public Art Galleries Worldwide
- Murillo Biography, Style and Critical Reception
- Murillo Gallery at MuseumSyndicate
- 12px "Bartolomé Esteban Murillo". Catholic Encyclopedia. New York: Robert Appleton Company. 1913.
- Murillo at ArtRenewalCenter
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