In music, flat, or bemolle (Italian: "soft B") means "lower in pitch". In music notation, the flat symbol, ♭ derived from a stylised lowercase "b", lowers a note by a half step. Intonation or tuning is said to be flat when it is below the true pitch.
Flat accidentals are used in the key signatures of F major/D minor, B-flat major/G minor, E-flat major/C minor, A-flat major/F minor, D-flat major/B-flat minor, and the less frequently used keys of G-flat major/E-flat minor, C-flat major/A-flat minor. The order of flats in the key signatures of music notation, following the circle of fifths, is B♭, E♭, A♭, D♭, G♭, C♭, and F♭. A mnemonic for this is: Before Eating A Doughnut Get Coffee First.
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Under twelve tone equal temperament, C-flat for instance is the same as, or enharmonically equivalent to, B-natural (B♮), and G-flat is the same as F-sharp (F♯). In any other tuning system, such enharmonic equivalences in general do not exist. To allow extended just intonation, composer Ben Johnston uses a sharp as an accidental to indicate a note is raised 70.6 cents (ratio 25:24), and a flat to indicate a note is lowered 70.6 cents.
Double flats also exist, which look like double flat (similar to two flats, ♭♭) and lower a note by two semitones, or a whole step. Less often (for instance in microtonal music notation) one will encounter half, or three-quarter, or otherwise altered flats. The Unicode character (U+1D12B) in the Musical Symbols block represents the double-flat sign.
A half flat, indicating the use of quarter tones, may be marked with various symbols including a flat with a slash (flat stroke) or a reversed flat sign (half flat).About this sound Play (help·info) A three-quarter flat, or sesquiflat, is represented by a half flat and a regular flat (three quarter flat).
- Benward & Saker (2003). Music in Theory and Practice, Vol. 1, p. 6. McGraw-Hill, Seventh edition. "Flat (♭)—lowers the pitch a half step."
- Flat, Glossary, Naxos Records
- John Fonville. "Ben Johnston's Extended Just Intonation- A Guide for Interpreters", p. 109, Perspectives of New Music, Vol. 29, No. 2 (Summer, 1991), pp. 106-137. "...the 25/24 ratio is the sharp (♯) ratio...this raises a note approximately 70.6 cents."
- Extremes of Conventional Music Notation.