Showing musical talent very early on, and entering the Paris Conservatoire aged 12, he won the first prize for solfege there in 1875. Marty took the first prize for harmony in 1878 and the Prix de Rome in 1882 with his cantata Edith (he was a pupil of Massenet). After his stay in Rome, he travelled to Sicily, Tunisia and Germany before returning to the French capital and gaining much experience as a chorus master.
His compositions include Ballade d‚Äôhiver (1885), Overture Balthasar (1887), Matin√©e de printemps (1888), Lysic (1888), Merlin enchant√©, art songs and piano works. Le duc de Ferrare, a drame lyrique in three acts, was composed after his return from Rome but first performed only on 30 May 1899 (at the Th√©√Ętre de la Renaissance, with Gabriel Soulacroix, Louis Delaquerri√®re and Mary Lebey). He became the teacher of the vocal ensemble class at the Conservatoire in 1892, and head of singing at the Op√©ra in 1893.
Marty was involved in productions at Th√©√Ętre Lyrique including Samson et Dalila, and of La jolie fille de Perth at the Eden Theatre. At the Op√©ra he participated in productions of Gwendoline, Djelma, Tannh√§user, Messidor and Die Meistersinger von N√ľrnberg. When the Paris Op√©ra concerts were created he conducted modern orchestral works.
He made his debut at the Op√©ra Comique was conducting Manon on 11 March 1900; he then conducted the first ever production at the Salle Favart of Iphig√©nie en Tauride in June that year. His repertoire also included Joseph, Mireille and Les visitandines and the creation of Le follet and Phoeb√©.
Marty was the conductor of the Orchestre de la Soci√©t√© des Concerts du Conservatoire from 12 June 1901 to 11 October 1908, directing a wide repertoire from Bach to contemporary composers, giving and several local premieres.
In 1906 he replaced Jules Danb√© at the Casino de Vichy classical concerts, but although in otherwise good health, he died there from disease of the liver just as the 1908 season was finishing. His wife was a mezzo-soprano active in both the opera house and on the concert platform; his only son was killed at the beginning of the First World War.
- Library of Congress. http://authorities.loc.gov/cgi-bin/Pwebrecon.cgi?AuthRecID=4288929&v1=1&HC=1&SEQ=20100728202454&PID=Rfe3ELLp2eibDcKIq7wZTn6gPY. Accessed 28 July 2010.
- Dandelot A. La Soci√©t√© des Concerts du Conservatoire 1828-1897, 5th edition. G Havard Fils, Paris, 1898.
- Cinquante Ans de Musique Fran√ßaise de 1874 √† 1925. Les √Čditions Musicales de la Librairie de France, Paris, 1925.
- Wolff S. Un demi-si√®cle d'Op√©ra-Comique. Andr√© Bonne, Paris, 1953.
- Kern Holoman D. Soci√©t√© des Concerts du Conservatoire. http://hector.ucdavis.edu/Sdc/MainRoll/D.htm. Accessed 6.1.10.
|Principal Conductor, Orchestre de la Soci√©t√© des Concerts du Conservatoire
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