Open Access Articles- Top Results for Godzilla 1985

Godzilla 1985

Godzilla 1985
Theatrical poster
Directed by R. J. Kizer
Koji Hashimoto
Produced by Tony Randel
Written by Shuichi Nagahara
Tony Randel (Japanese Sequences)
Lisa Tomei (Japanese Sequences)
Straw Weismen (American Sequences)
Story by Tomoyuki Tanaka
Music by Reijiro Koroku
Christopher Young (stock music from Def-Con 4)
Cinematography Kazutami Hara
Steven Dubin
Edited by Yoshitami Kuroiwa
Michael Spence
Distributed by New World Pictures
Release dates
  • August 23, 1985 (1985-08-23)
Running time
87 minutes
Country Japan
United States
Language English
Budget $2 million
Box office $4.1 million

Godzilla 1985 is a Japanese American science fiction kaiju film co-directed by R.J. Kizer and Koji Hashimoto. The film is a heavily re-edited American adaptation of the Japanese film, The Return of Godzilla, originally produced by Toho in 1984. In addition to the film being re-cut, re-titled, and dubbed in English, Godzilla 1985 included a small American production, produced by New World Pictures, featuring new footage shot exclusively for the film's North American release. The Japanese version was directed by Koji Hashimoto, with special effects by Teruyoshi Nakano and starred Ken Tanaka, Yasuko Sawaguchi, and Yosuke Natsuki while the New World version's footage was directed by R. J. Kizer, written by Tony Randel and Lisa Tomei, and featured American actors Warren J. Kemmerling, James Hess, Travis Swords, and Raymond Burr reprising his role as Steve Martin who has been summoned by the United States military to aide them in a counterattack against Godzilla after he resurfaces 30 years after his initial attack.

Both the New World Pictures and Toho versions of the film serve as direct sequels to the original Godzilla film. However, while Toho's version serves as a sequel to the 1954 original, Godzilla 1985 serves as a sequel to Godzilla, King of the Monsters!, the 1956 Americanization of the original film which also starred Raymond Burr. The film uses the same editing method used in Godzilla, King of The Monsters where the original Japanese footage is dubbed and cut together with the American footage. In addition to keeping Reijiro Koroku's original score, the film samples cues from Christopher Young's Def-Con 4 film score.

The film was met with mainly unfavorable reviews upon its release in the United States. Just like Godzilla, King of The Monsters, a majority of the nuclear themes and political overtones featured in the Japanese version were removed from the North American version. Godzilla 1985 was the last Godzilla film to be distributed theatrically in the United States until the release of Godzilla 2000.


The Japanese fishing vessel Yahata Maru is trying to find its way to shore in a horrible storm while near an uninhabited island, when a giant monster appears out of the island and attacks the boat. A day later, reporter Goro Maki finds the vessel intact, along with its sole survivor Hiroshi "Kenny" Okumura.

In Tokyo, the Japanese Prime Minister is informed of Godzilla's attack and orders that Godzilla's involvement be kept secret. Maki's report is not published by his newspaper as a "national security matter" over concerns about mass panic and is told to interview bio-physicist Hayashida instead. Maki finds Naoko, Okamura's sister working as a lab assistant to Hayashida and informs her that her brother is safe, against the government's orders. She rushes to the hospital.

Godzilla attacks a second time and destroys a Soviet submarine. At the Pentagon, General Goodhoe is informed of the attack on the Soviet submarine. The Russians believe the attack was orchestrated by the Americans and the situation threatens to escalate into war. In Tokyo, the Prime Minister is informed of the submarine attack and is shown evidence that Godzilla was responsible. The media blackout is lifted and the Americans are absolved of blame. The Japanese arrange a meeting with the Russian and American ambassadors and, after some debate over the issue, Prime Minister Mitamura decides nuclear weapons will not be allowed in Japanese territory even if Godzilla was to attack the Japanese mainland. The Soviets keep the nuclear option open despite Japan's forbidding it.

Soon, Godzilla appears on an island off the coast of Japan and attacks a nuclear power plant. Through the use of "ultrasonic images", Hayashida determines that Godzilla's brain is bird-like, only mutated. Hayashida realizes that Godzilla has a conditioned response to birds chirping and suggests that they could duplicate the sound electronically and Godzilla might follow. Hayashida assists the Japanese emergency task force in a plan to coax Godzilla into Mt. Mihara's volcano by emitting the bird sound frequency in the hope Godzilla will follow it into the volcano. The Prime Minister authorizes both the JSDF plan and the plan to use the volcano against Godzilla.

Steve Martin is brought into the Pentagon to assist the Americans against Godzilla. Godzilla is later sighted at Tokyo Bay, forcing mass evacuations out of the city. The JASDF attack Godzilla but to no avail. A Russian ship disguised as a merchant ship launch a nuclear missile via satellite. Godzilla proceeds to attack Tokyo and the JSDF launch the Super-X.

The Pentagon prepares to assist the Japanese but Martin cautions that weapons will only confuse and antagonize Godzilla further. Hayashida uses the bird signaling device on Godzilla, which works initially, but fails when Godzilla is attacked. The Super-X arrives shortly and defeats Godzilla with cadmium missiles. The Americans believe that Godzilla is dead, but Martin is not sure. At that moment, the Soviet missile is detected by the Americans as it draws closer to Japan.

Hayashida and his signalling equipment is evacuated and sent to Mt. Mihara. The Americans launch a counter-missile and successfully intercept the Soviet missile however, the nuclear atmosphere from the blast reawakens Godzilla and continues its battle with the Super-X until it's destroyed. Hayashida relaunches the signal and lures Godzilla into the mouth of Mt. Mihara.



After acquiring The Return of Godzilla for distribution in North America, New World Pictures changed the title to Godzilla 1985 and radically re-edited the film. Originally, New World reportedly planned to re-write the dialogue in order to turn the film into a tongue-in-cheek comedy (à la What's Up, Tiger Lily?), but this plan was reportedly scrapped because Raymond Burr expressed displeasure at the idea, taking the idea of Godzilla as a nuclear metaphor seriously. The only dialogue left over from that script was "That's quite an urban renewal program they've got going on over there", said by Major McDonahue.

New World's biggest change was in adding around ten minutes of new footage, most of it at The Pentagon, with Raymond Burr reprising his role as Steve Martin from Godzilla, King of the Monsters!.

The poster image was the same as for the Japanese version, but a green tinting was added to Godzilla's charcoal gray skin and the Soviet attack satellite in the upper right corner was removed.

New World's changes were not limited to these scenes. Much of the original version was deleted or altered.

A partial list of the changes:[1]

  • Godzilla roars and the crew fell whereas the audience sees Steve Martin after Godzilla roars.
  • Goro's fight with the giant sea louse; the louse's voice was also changed.
  • The scene where Naoko learns her brother is alive; Goro snaps pictures of them reunited, which angers Naoko because she realizes he only helped her in order to get the scoop.
  • The meeting between the Japanese prime minister and the Russian and American ambassadors. Also deleted was a scene after the meeting in which the prime minister explains to his aides how he was able to reach a consensus with both sides. Furthermore, this scene appears before Godzilla's attack on the nuclear power plant in the American version, whereas in the Japanese version it appears afterwards.
  • Part of Christopher Young's score from Def Con 4 in several scenes (including Godzilla's attack on the Soviet submarine, the scene where the SDF armored division arrives in Tokyo Bay, and Okumura's near-death experience during the helicopter extraction in Tokyo).
  • Stock footage from Godzilla, King Of The Monsters was added as the Americans are talking about Godzilla's first appearance but mention that the attack happened in 1956 rather than 1954. (This was probably done due to the fact of Godzilla, King Of The Monsters release year of 1956)
  • The scene in which the vagabond helps himself to the food in a deserted restaurant (due to Godzilla's arrival in Tokyo) was edited. In this scene, the distant sound of Godzilla's footsteps was added to the US version.
  • Almost all of Godzilla's rampage through Tokyo. Scenes of a crowd fleeing Godzilla that appeared later in the Japanese version were moved to an earlier point in the movie (and corresponding footage of them gathering around Godzilla after he is knocked out by the Super X was removed), the Super X fight was re-arranged (in the Japanese version, Godzilla fires his atomic ray at the Super X after being hit with cadmium missiles, not before), and various other scenes of destruction were either placed in a different order or deleted completely.
  • Godzilla's first attack on the nuclear power plant.
  • Okumura's first name is changed to Kenny.
  • All shots which employed a life-size replica of Godzilla's foot (mostly seen near the end); only one shot of the big foot crushing parked cars during the nuclear power plant scene was kept.
  • A shot of an American nuclear missile satellite in space.
  • Hayashada and Naoko making a wave generator.
  • Professor Hayashida showing Okumura photographs of Godzilla's 1954 attack and later discussing the mutant sea louse with an aide at the police hospital.
  • Goro calling his editor from an island.

The most controversial change was the scene where the Russian freighter officer Colonel Kashirin valiantly attempts to stop the launch of a nuclear weapon. New World edited the scene (and added a brief shot of Kashirin pressing the launch button) so that now Kashirin deliberately launches the nuclear weapon; possibly due to the fact that the Cold War was ongoing during the release of the film.

In addition, the theatrical release (and most home video versions) was accompanied by Marv Newland's short cartoon, Bambi Meets Godzilla.

The North American version, with the added Raymond Burr footage, runs 87 minutes, 16 minutes shorter than the Japanese version.

Apart from the end credits (where he is listed as Steven Martin), Raymond Burr's character is never referred to by his full name, only as "Mr. Martin" or simply "Martin", for the entirety of the US version. This was to avoid association with comedian Steve Martin.


Box office

Godzilla 1985 was a box office bomb. Opening on August 23, 1985, in 235 North American theaters, the film grossed $509,502 USD ($2,168 per screen) in its opening weekend, on its way to a lackluster $4,116,395 total gross.[2]

New World's budget breakdown for Godzilla 1985 is as follows: $500,000 to lease the film from Toho, $200,000 for filming the new scenes and other revisions, and $2,500,000 for prints and advertising, adding up to a grand total of approximately $3,200,000.[3] Over time, Godzilla 1985, though not a hit, was partially profitable for New World only with the addition of home video and television syndication (the film debuted on television on May 16, 1986).

When Godzilla 1985 failed at the box office, it was the last Godzilla film produced by Toho to receive any major release in North American theaters until Godzilla 2000 fifteen years later.

Critical reception

Godzilla 1985 was almost universally criticized by North American critics. Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote:

"The filmmakers must have known that the original Godzilla (1956) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity. So they have deliberately gone after the same inept feeling in Godzilla 1985. Examples: Dialogue: It is so consistently bad that the entire screenplay could be submitted as an example. My favorite moment occurs when the hero and heroine are clutching each other on a top floor of a skyscraper being torn apart by Godzilla and the professor leaps into the shot, says "What has happened here?" and leaps out again without waiting for an answer. Lip-synching: Especially in the opening shots, there seems to be a subtle effort to exaggerate the bad coordination between what we see and what we hear. All lip-synch is a little off, of course, but this movie seems to be going for condescending laughs from knowledgable filmgoers. Special effects: When Godzilla marches on Tokyo, the buildings are the usual fake miniature models, made out of paint and cardboard. The tipoff is when he rips a wall off a high-rise, and nothing falls out. That's because there is nothing inside."[4]

Ebert kept a copy of the poster in his office for many years and it was clearly visible in the opening of his television program.

Vincent Canby of the New York Times was similarly unimpressed:

"Though special-effects experts in Japan and around the world have vastly improved their craft in the last 30 years, you wouldn't know it from this film. Godzilla, who is supposed to be about 240 feet tall, still looks like a wind-up toy, one that moves like an arthritic toddler with a fondness for walking through teeny-tiny skyscrapers instead of mud puddles. Godzilla 1985 was shot in color but its sensibility is that of the black-and-white Godzilla films of the 1950s. What small story there is contains a chaste romance and lots of references to the lessons to be learned from "this strangely innocent but tragic creature." The point seems to be that Godzilla, being a "living nuclear bomb", something that cannot be destroyed, must rise up from time to time to remind us of the precariousness of our existence. One can learn the same lesson almost any day on almost any New York street corner."[5]

One of the few positive reviews came from Joel Siegel of Good Morning America, who is quoted on New World's newspaper ads as saying, "Hysterical fun...the best Godzilla in thirty years!".


The movie was nominated for a Stinkers Bad Movie Award for Worst Picture[6] and also nominated for two Razzie Awards including Worst Supporting Actor for Raymond Burr and Worst New Star for The new computerized Godzilla.[7]

Home video

Godzilla 1985 has been released on home video several times in the U.S. The first release was by New World in the mid '80s, another by Starmaker video (who had acquired some of New World's library) in 1992, and again by Anchor Bay in 1997. All home video releases include the Bambi Meets Godzilla animated short with the exception of the Starmaker release.

To date, Godzilla 1985, or its original incarnation The Return of Godzilla, remain the only Godzilla films not to have received a digital release in the U.S.


  1. ^ Gojira (1984) - Alternate versions Internet Movie Database
  2. ^ Godzilla 1985 Box Office Mojo
  3. ^ The Return of Godzilla - Box Office Report Toho Kingdom Archived 21 November 2006 at the Wayback Machine
  4. ^ Ebert, Roger (September 20, 1985). "Review". Chicago Sun-Times. 
  5. ^ Canby, Vincent. "Review". New York Times. 
  6. ^ "1985 8th Hastings Bad Cinema Society Stinkers Awards". Stinkers Bad Movie Awards. Los Angeles Times. Archived from the original on October 17, 2006. Retrieved April 2, 2013. 
  7. ^ Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst. Grand Central Publishing. ISBN 0-446-69334-0. 

External links