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Janelle Monáe

Janelle Monáe
File:Janelle Monáe 01.jpg
Monáe at the 2010 Pop Conference, EMPSFM, Seattle, Washington, April 15
Background information
Birth name Janelle Monáe Robinson
Born (1985-12-01) December 1, 1985 (age 30)
Kansas City, Kansas, United States
  • Singer
  • songwriter
  • composer
  • record producer
Instruments Vocals
Years active 2003–present
Associated acts

Janelle Monáe Robinson (born December 1, 1985),[7] known professionally as Janelle Monáe (/əˈnɛl mˈn/),[8] is an American singer, songwriter, composer, and record producer signed to Bad Boy Records, Wondaland Art Society, and Atlantic Records. After making a mark with her first unofficial studio album, The Audition, she debuted publicly with a conceptual EP titled Metropolis: Suite I (The Chase), which peaked at number 115 on the Billboard 200 in the United States.[9]

In 2010, Monáe released her first full-length studio album, The ArchAndroid, a concept album sequel to her first EP; it was released by Bad Boy Records. This album received critical acclaim and garnered a Best Contemporary R&B Album nomination at the 53rd Annual Grammy Awards. The song "Tightrope" was also nominated for Best Urban/Alternative Performance at the same ceremony. With this industry recognition, the album has also been more successful commercially, officially reaching the number 17 spot on the Billboard 200.[10][11]

Monáe's music has garnered her six Grammy Award nominations. In March 2012, "We Are Young" by Fun., on which Monáe appears as a guest vocalist, reached number 1 on the Billboard Hot 100 chart, her first appearance in the US Top 10. In August 2012, Monáe became a CoverGirl spokeswoman. On September 10, 2013, she released her second studio album, The Electric Lady, to critical acclaim. Boston City Council named October 16, 2013 "Janelle Monáe Day" in the city of Boston, Massachusetts, in recognition of her artistry and social leadership.

Early life

"There was a lot of confusion and nonsense where I grew up, so I reacted by creating my own little world. [...] I began to see how music could change lives, and I began to dream about a world where every day was like anime and Broadway, where music fell from the sky and anything could happen."

– Monae, on her childhood musical inspiration[12]

Monáe was born in Kansas City, Kansas, where she spent her early years. She is the daughter of a janitor mother and a truck driver father, Michael Robinson Summers.[13] She has stated that the fictional character of Dorothy Gale from the film The Wizard of Oz has been one of her "musical influences". She dreamed of being a singer and a performer from a very young age.[12] She moved to New York City to study drama at the American Musical and Dramatic Academy, attending a performing arts camp called Freedom Theatre, which is the oldest African-American theatre in Philadelphia, Pennsylvania.[clarification needed][when?] After moving to Atlanta, Georgia in 2001, she met OutKast's Big Boi, and then founded the Wondaland Arts Society with some like-minded young artists, releasing her first EP The Audition in 2003. Although it did not place highly on the Billboard charts – reportedly only 400 physical copies were pressed – it did showcase her impressive vocal abilities and unique Metropolis concept that would also figure in her future releases. The CD album itself is extremely rare in its original compact disc format, and as such is a valuable collector's item.

Monáe later appeared on OutKast's Idlewild release, where she is featured on the songs "Call the Law" and "In Your Dreams." Big Boi told his friend Sean Combs about Monáe, whom at the time Combs had not yet heard. Combs soon visited Monáe's MySpace page and according to a HitQuarters interview with Bad Boy Records' A&R person Daniel 'Skid' Mitchell, Combs loved it straight away: "[He] loved her look, loved that you couldn't see her body, loved the way she was dancing, and just loved the vibe. He felt like she has something that was different – something new and fresh."[14] Monáe signed to Bad Boy in 2006. The label's chief role was in facilitating her exposure on a much broader scale rather than developing the artist and her music, because in the words of Mitchell, "She was already moving, she already had her records – she had a self-contained movement." Combs and Big Boi wanted to take their time and build her profile organically and allow the music to grow rather than put out "A hot single which everyone jumps on, and then they fade because it's just something of the moment."[14]


2007–10: Beginnings and The ArchAndroid

In 2007, Monáe released her first solo work, titled Metropolis. It was originally conceived as a concept album in four parts, or "suites," which were to be released through her website and mp3 download sites. After the release of the first part of the series, Metropolis: Suite I (The Chase) in mid-2007, these plans were altered following her signing with Sean Combs's label, Bad Boy Records, later in the year. The label gave an official and physical release to the first suite in August 2008, which was retitled Metropolis: The Chase Suite (Special Edition) and included two new tracks. The EP was critically acclaimed, garnering Monáe a 51st Annual Grammy Awards Grammy nomination for Best Urban/Alternative Performance for her single "Many Moons",[15] festival appearances and opening slots for indie pop band of Montreal. Monáe also toured as the opening act for band No Doubt on their summer 2009 tour.[16] Her single "Open Happiness" was featured in the 2009 season finale of American Idol.[17] Monáe told MTV about her concept for her new album and also discussed her alter-ego named Cindi Mayweather, she said:

"Cindi is an android and I love speaking about the android because they are the new “other”. People are afraid of the other and I believe we’re going to live in a world with androids because of technology and the way it advances. The first album she was running because she had fallen in love with a human and she was being disassembled for that."[18]

File:Janellemonae (300dpi).jpg
Monáe performing at the Austin Music Hall in 2009

In a November 2009 interview, Monáe revealed the title and concept behind her album, The ArchAndroid. The album was released on May 18, 2010. The second and third suites of Metropolis are combined into this full-length release, in which Monáe's alter-ego, Cindi Mayweather—also the protagonist of Metropolis: The Chase Suite— becomes a messianic figure to the android community of Metropolis.[19] Monáe noted that she plans to shoot a video for each song on The ArchAndroid and create a narrative movie, graphic novel and a touring Broadway musical based on the album.[20] The Metropolis concept series draws inspiration from a wide range of musical, cinematic and other sources, ranging from Alfred Hitchcock to Debussy to Philip K. Dick. However, the series puts Fritz Lang's 1927 silent film Metropolis, which Monáe referred to as "the godfather of science-fiction movies," in special regard.[21][22] Aside from sharing a name, they also share visual styles (the cover for The ArchAndroid is inspired by the iconic poster for Metropolis), conceptual themes and political goals, using expressionistic future scenarios to examine and explore contemporary ideas of prejudice and class. Both also include a performing female android, though to very different effect. Where Metropolis android Maria is the evil, havoc-sowing double of the messianic figure to the city's strictly segregated working class, Monáe's messianic android muse Cindi Mayweather represents an interpretation of androids as that segregated minority, which Monáe describes as "... the Other. And I feel like all of us, whether in the majority or the minority, felt like the Other at some point."[21][23]

Monáe received the Vanguard Award from the American Society of Composers, Authors and Publishers at the Rhythm & Soul Music Awards in 2010.[24] Monáe covered Charlie Chaplin's Smile on in June 2010. In an NPR interview in September 2010, Monae stated that she is a believer in, and a proponent of time travel.[citation needed] Monáe performed "Tightrope" during the second elimination episode of the 11th Season of Dancing with the Stars on September 28, 2010.[25] Monáe performed at the 53rd Annual Grammy Awards in 2011 alongside artists Bruno Mars and B.o.B; Monáe performed the synth section of B.o.B's song "Nothin' on You" and she then performed her track "Cold War" with B.o.B on the guitar and Mars on the drums. Her performance received a standing ovation.[26]

Her single "Tightrope" was featured on the American Idols LIVE! Tour 2011, performed by Pia Toscano, Haley Reinhart, Naima Adedapo, and Thia Megia.

2011–14: The Electric Lady and other projects

Monáe was featured in fun.'s hit single, "We Are Young" and also performed an acoustic version of the song with lead singer Nate Ruess, and the band. Monáe was also featured on "Do My Thing" for Estelle's sophomore studio album, All of Me. In June 2012, Monáe performed two new songs, "Electric Lady" and "Dorothy Dandridge Eyes"—from her then-upcoming sophomore studio album, The Electric Lady—at the Toronto Jazz Festival.[27][28] In July 2012, for the second year in a row, she appeared at the renowned North Sea Jazz Festival in Europe as well as in the 46th edition of the Montreux Jazz Festival in Switzerland on the 14th.

In August 2012, Monáe was chosen as CoverGirl's newest spokeswoman.[29] In September 2012, Monáe performed at CarolinaFest in support of President Obama, just before the 2012 Democratic National Convention in Charlotte.[30] In October 2012, Monáe starred in a commercial for the Sonos Wireless HiFi home audio system, and appeared in a Sonos commercial in 2012 with Deep Cotton.

Monáe's first single from The Electric Lady, "Q.U.E.E.N.", featuring Erykah Badu, premiered on SoundCloud and made available for download purchase at the iTunes Store on April 23, 2013.[31] "Q.U.E.E.N." garnered 31,000 digital sales according to Nielsen Soundscan with the accompanying music video gaining four million YouTube views within its first week of release. Thematically, The Electric Lady continues the utopian cyborg concepts of its predecessors, while presenting itself in more plainspoken, introspective territory in addition to experimenting with genres beyond conventional funk and soul such as jazz ("Dorothy Dandridge Eyes"), pop-punk ("Dance Apocalyptic"), gospel ("Victory") and woozy, sensual vocal ballads ("PrimeTime", featuring Miguel). The album features guest appearances by Prince, Solange Knowles, aforementioned Miguel and Esperanza Spalding[32] with production from previous collaborator Deep Cotton (a psychedelic punk act) and Roman GianArthur (a soul music composer), and was released to critical acclaim on September 10, 2013.[33]

On September 14, 2013, Monáe performed along with Chic at the iTunes Festival in London.[34] On September 28, 2013, Monáe performed at the Global Citizens Festival in Central Park alongside Stevie Wonder. Monáe performed as the featured musical guest on Saturday Night Live October 26 with host Edward Norton.[35]

Her voice is heard as veterinarian Dr. Monáe in the movie Rio 2, released in the U.S. on April 11, 2014, and her song "What Is Love" was featured on the soundtrack.[36][37][38] In April 2014, Monáe was invited to perform along with Tessanne Chin, Patti LaBelle, Aretha Franklin, Jill Scott, Ariana Grande, and Melissa Etheridge at the White House as a part of their PBS-broadcast "Women of Soul" event, which celebrated American women artists whose work has left an indelible and profound impact on our national musical culture. She performed "Goldfinger", "Tightrope", and joined in on the all inclusive performance of "Proud Mary".[39]

On April 14, 2014, Monáe was the recipient of the inaugural Harvard College Women's Center Award for Achievement in Arts and Media for her achievements as an artist, advocate and feminist.[40][41] She tweeted earlier that day, "Headed to #Harvard to meet the beautiful ladies in the Women's Center. Can't believe I'm the honoree today. Just So thankful".[42] She was also recognized as the 2014 Woman of the Year by the Harvard College Black Men's Forum at their annual Celebration of Black Women gala.[43]

In mid-2014, Monáe had an interview with Fuse where she teased a follow up to The Electric Lady. "I'm working on a new, cool creative project called 'Eephus'," she said. "It's a big concept and you're not going to see it coming. It'll just land."[44]

Later in 2014, Monáe was featured on Sérgio Mendes' latest album, Magic. She sings on the track titled "Visions of You".[45]

2015–present: Label revamp, new deal with Epic Records, and current collaborations

In February 2015, Monáe[46] along with Epic Records[47] and its CEO and chairman L.A. Reid[48] announced that Monáe's independent label Wondaland Art Society has signed a "landmark joint venture partnership" to revamp the label, now known as Wondaland Records, and to promote the artists on the label.[49] Jem Aswad of Billboard called Monáe a "mini-mogul" because of the deal and revealed that "the partnership will bow in May with a 5-song compilation EP called The Eephus, including tracks from rapper Jidenna [...], Roman, St. Beauty, Deep Cotton and Monáe herself."[50] With this move, Monáe has become one of the few black women who run their own independent record label in conjunction with a major record label.

In late March 2015, Monáe released the single "Yoga" off of The Eephus.[51]

In mid-2015 Monáe attended various fashion events including London Fashion Week[52] and the 2015 Met Gala.[53] She began collaborating with Nile Rodgers[54] for a new Chic album and Duran Duran[55] for their first album in over five years.


Musical styles and influences

The Telegraph published an interview with Monáe, talking about her first studio album, in which the journalist Bernadette McNulty said, "I begin to worry for a moment that Monáe may not just be a humourless science-fiction nerd, but actually an android herself, created in a laboratory as a super-musical cross between James Brown, Judy Garland, André 3000 and Steve Jobs, invented to test the desperate incredulity of music journalists." She also compared Monáe to artists such as Annie Lennox, Lauryn Hill, and Corinne Bailey Rae.[56] Her musical styles have been described as "a soaring orchestral trip enlivened with blockbuster vocals, mysterious imagery and notes of Sixties pop and jazz."[57] The Guardian has noted some of her influences as: Michael Jackson, Janet Jackson, Prince, Outkast, Erykah Badu, James Brown, Grace Jones, Stevie Wonder, David Bowie, Jimi Hendrix, Bernard Herrmann, Funkadelic and the Incredible String Band.[58] In an opinion piece for The Quietus,[59] John Calvert places Janelle Monáe within the Afrofuturism movement, pointing out her similarities to Sun Ra and George Clinton. He asserts that Janelle Monáe is innovating the genre. Monáe has stated that she has an alter-ego named Cindi Mayweather who according to Monáe is from the year 2719.[60] In her first EP she gave her alter-ego a back-story stating that she was on the run after breaking the law in her home town of Metropolis by falling in love with a human named Anthony Greendown. Monáe explained about Cindi, saying "The Archandroid, Cindi, is the mediator, between the mind and the hand. She's the mediator between the haves and the have-nots, the oppressed and the oppressor. She's like the Archangel in the Bible, and what Neo represents to the Matrix."[61] Chris Champion of The Observer described Metropolis and The ArchAndroid as "psychedelic soul with a sci-fi twist".[62]

Monáe's roots in Kansas City, Kansas, where she was born and raised, are evident in her lyrics and style. According to Carrie Battan's Pitchfork feature on Monáe, the song "Ghetto Woman" directly addresses Monáe's working-class K.C., Kansas mother—as well as the portrayal of working-class black women in U.S. culture—with the line "Carry on, ghetto woman, even when the news portrays you less than you could be."[2] Monáe also told the London Evening Standard that she has internalized her KCK (K.C., KS) roots by wearing the working-class uniform of her parents and expressing concern that she cannot let "her community down."[63] On her album The ArchAndroid, especially in songs like "Cold War" or "BabopbyeYa," Monáe relates "the dystopian cityscapes depicted in Metropolis to the boarded-up projects of poverty-wracked Kansas."[64] Kansas City, therefore, represents not only Monáe's physical roots within her hometown, but also serves as an important influence on her lyrics and science-fictional setting.

Public image

"I feel like I have a responsibility to my community and other young girls to help redefine what it looks like to be a woman. I don't believe in men's wear or women's wear, I just like what I like. And I think we should just be respected for being an individual.... I've been in Vogue, now, and different publications, which is cool, because I think that it just shows a different perspective of how women can dress."

—Monáe, on her image and artistic freedom[61]

Monáe has gained a signature clothing style of wearing a tuxedo wardrobe and she said on the matter to Honey Magazine "I bathe in it, I swim in it, and I could be buried in it. A tux is such a standard uniform, it's so classy and it's a lifestyle I enjoy. The tux keeps me balanced. I look at myself as a canvas. I don't want to cloud myself with too many colors or I'll go crazy. It's an experiment I'm doing. I think I want to be in the Guinness Book of World Records."[65] Monáe's signature look harkens back to dandyism.[66] Citing Grace Jones and Josephine Baker as role models, Monáe takes the classical 18th century look in the classical white and black pattern.[67] Monáe's signature look can also be attributed to the early days in her career when she was employed as a maid as she revealed in her 2012 Black Girls Rock! Young, Gifted, and Black award acceptance speech.[68] In Monáe's concerts she has been noted to hand out her Ten Droid Commandments which encourages her fans to be individuals.[61] The Telegraph also commented on her image as an artist saying "Sitting in a grey, airless record company office, this slight, stiff young woman delivers her speech in slow, deliberate tones, utterly expressionless. Dressed in her trademark starched shirt and tuxedo, hair immaculately coiffed, Monáe's face is an opaque mask of perfection: all silken smooth skin, button nose and glassy brown eyes."[56] She has described her tuxedos as being a uniform for her career and she has stated that she wears them when she is working.[61] She also featured in the "Style 100" of InStyle magazine.[69]

Personal life

Although Monáe has never personally addressed the rumors of her sexuality in public, during a 2011 interview with London Evening Standard she said that when it comes to her sexuality, she "only dates androids," a reference to her musical alter-ego found in many of her songs. She has also said, "I speak about androids because I think the android represents the new 'other.' You can compare it to being a lesbian or being a gay man or being a black woman... What I want is for people who feel oppressed or feel like the 'other' to connect with the music and to feel like, 'She represents who I am'," adding that she would talk about her sexual orientation "in due time."[70]



Awards and nominations

Year Award Category Result
2009 Grammy Awards Best Urban/Alternative Performance ("Many Moons") Nominated
2010 ASCAP Awards Vanguard Award Won
MTV Video Music Awards Best Choreography ("Tightrope") Nominated
MTV Video Music Brazil Aposta Internacional (International Bet) Nominated
Soul Train Awards Centric Award – Best Dance Performance Won
Best Dance Performance ("Tightrope") Nominated
MOBO Awards Best International Act[71] Nominated
2011 Essence Awards Black Women in Music Award[72] Won
Best of the Booth Award Best R&B/Pop Album of 2010 (The ArchAndroid)[73] Won
Grammy Awards Best Contemporary R&B Album (The ArchAndroid) Nominated
Best Urban/Alternative Performance ("Tightrope") Nominated
International Dance Music Awards Best Breakthrough Artist[74] Nominated
O Music Awards Best iTunes LP (The ArchAndroid)[75] Nominated
NME Awards Best Track ("Tightrope")[76] Won
2012 Black Girls Rock! Awards Young, Gifted & Black Award[77] Won
2013 Grammy Awards Album of the Year (Some Nights); featured artist Nominated
Record of the Year ("We Are Young") Nominated
Best Pop Duo/Group Performance ("We Are Young") Nominated
MTV Video Music Awards Best Art Direction ("Q.U.E.E.N.") Won
Soul Train Awards Best R&B/Soul Artist Nominated
The Ashford and Simpson Songwriter's Award ("Q.U.E.E.N.") Nominated
Best Dance Performance ("Q.U.E.E.N.") Nominated
Video of the Year ("Q.U.E.E.N.") Won[78]
Best Collaboration ("Q.U.E.E.N.") Nominated
Billboard's Women in Music Rising Star Award[79] Won
2014 Variety Breakthrough of the Year Awards Breakthrough in Music Award[80] Won
Brit Awards International Female Solo Artist Nominated
NAACP Image Awards Outstanding Female Artist Nominated
Outstanding Music Video ("Q.U.E.E.N.") Won
Outstanding Song ("Q.U.E.E.N.") Nominated
Outstanding Album (The Electric Lady) Nominated
BET Awards 2014 Best Female R&B/Pop Artist[81] Nominated
Soul Train Awards Best R&B/Soul Female Artist Nominated
Album of the Year (The Electric Lady) Nominated
Best Dance Performance ("Electric Lady") Nominated
Best Collaboration ("PrimeTime") Nominated
18th Hollywood Film Awards Hollywood Song ("What Is Love?")[82] Won
2015 Trumpet Awards 2015 Honoree[83] Won
BET Awards 2015 Best Female R&B/Pop Artist[84] Pending


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  84. ^ "Five Epic Artists Nominated for BET Awards!". Epic. Retrieved 20 May 2015. 

External links

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