Open Access Articles- Top Results for Love in Vain

Love in Vain

"Love in Vain Blues"
Single by Robert Johnson
B-side "Preaching Blues (Up Jumped the Devil)"
Released 1939 (1939)
Format Ten-inch 78 rpm record
Recorded Dallas, Texas, June 20, 1937
Genre Blues
Length 2:20[1]
Label Vocalion (no. 04630)
Writer(s) Robert Johnson
Producer(s) Don Law[1]

"Love in Vain" (originally "Love in Vain Blues") is a 1937 blues song written by Robert Johnson. The song is noted for its sad lyrics, tone, and style. In the 1991 documentary film The Search for Robert Johnson, John P. Hammond plays Robert's recording of "Love in Vain" for the elderly Willie Mae Powell, the woman for whom it was supposedly written. Johnson moans "Oh, Willie Mae" twice before the last refrain.[2][3]

Johnson was an admirer of blues singer/pianist Leroy Carr. "Love in Vain" takes its musical structure from Carr's classic "In the Evenin' When the Sun Goes Down". Both songs express a yearning and sorrow for the loss of a lover. The Shreveport Home Wreckers (a duo of Oscar "Buddy" Woods and Ed Schaffer), recorded their track "Flying Crow Blues" in 1932. Johnson used one set of its lyrics almost verbatim for the final verse of "Love in Vain."[4]

In 2011 the song was inducted into the Blues Hall of Fame of the Blues Foundation.[5]

Cover versions

"Love in Vain"
Song by The Rolling Stones from the album Let It Bleed
Released December 5, 1969
Recorded May 1969
Genre Blues[6]
Length 4:22
Producer Jimmy Miller
Let It Bleed track listing

"Love in Vain" has been covered by many musicians, most famously by The Rolling Stones on their 1969 album, Let It Bleed (although, in the album credits on the original vinyl LP label, the song is listed as written by "Woody Payne", a pseudonym of Robert Johnson's.) The Stones also recorded a live version of the song that appeared on their 1970 album, Get Yer Ya-Ya's Out.

"For a time we thought the songs that were on that first album were the only recordings (Robert Johnson had) made, and then suddenly around '67 or '68 up comes this second (bootleg) collection that included Love in Vain. Love in Vain was such a beautiful song. Mick and I both loved it, and at the time I was working and playing around with Gram Parsons, and I started searching around for a different way to present it, because if we were going to record it there was no point in trying to copy the Robert Johnson style or ways and styles. We took it a little bit more country, a little bit more formalized, and Mick felt comfortable with that." - Keith Richards, 1990
"We changed the arrangement quite a lot from Robert Johnson's. We put in extra chords that aren't there on the Robert Johnson version. Made it more country. And that's another strange song, because it's very poignant. Robert Johnson was a wonderful lyric writer, and his songs are quite often about love, but they're desolate." - Mick Jagger, 1995
"Sometimes I wonder... myself (about how we developed that arrangement). I don't know! (laughs) We only knew the Robert Johnson version. At the time we were kicking it around, I was into country music - old white country music, '20s and '30s stuff, and white gospel. Somewhere I crossed over into this more classical mode. Sometimes things just happen. We were sitting in the studio, saying, Let's do "Love in Vain" by Robert Johnson. Then I'm trying to figure out some nuances and chords, and I start to play it in a totally different fashion. Everybody joins in and goes, Yeah, and suddenly you've got your own stamp on it. I certainly wasn't going to be able to top Robert Johnson's guitar playing." - Keith Richards, 1995

More recently it was covered by Johnson fan Eric Clapton on his 2004 album, Me and Mr. Johnson, along with several other Robert Johnson classics. Clapton paid homage to the song in his lyrics for the Derek and the Dominos song "Layla" ("...please don't say we'll never find a way, and tell me all my love's in vain"). Jazz singer Madeleine Peyroux covered "Love in Vain" on her 2011 album Standing on the Rooftop.[7]

Love in Vain is also the title of an acclaimed screenplay written by Alan Greenberg. It was the first unproduced screenplay ever published by a major house (Doubleday) as literature. According to Keith Richards, "Finally someone has captured the central feel of this master musician and his times, and that man is Alan Greenberg. Take my word for it." Bob Dylan's response to the screenplay was, "It's about time."

Walter Trout covered the song on his 1990 Prisoner of a Dream album and Keb' Mo' recorded it for his 1998 Slow Down album.

Todd Rundgren included the song on his 2011 Robert Johnson tribute album Todd Rundgren's Johnson.

Pyeng Threadgill has a cover version on Sweet Home: The Music of Robert Johnson (2004).



  1. ^ a b LaVere, Stephen (1990). The Complete Recordings (Box set booklet). Robert Johnson. Columbia Records. OCLC 24547399. C2K 46222. 
  2. ^ John Hammond Jr. (Host), David Hunt (Prod., Dir.) (1991). The Search for Robert Johnson (FLASH VIDEO, 52:26). Iambic Productions (Television production) (Channel 4. Event occurs at 10:00. 
  3. ^ Schroeder, Patricia R. (2004). Robert Johnson, mythmaking, and contemporary American culture. University of Illinois Press. p. 62. ISBN 978-0-252-02915-8. Retrieved April 30, 2011. 
  4. ^ Uncle Dave Lewis. [[[:Template:Allmusic]] "Buddy Woods"]. Allmusic. Retrieved November 23, 2011. 
  5. ^ Inductees. Blues Hall of Fame, 2011.
  6. ^!:+a+subjective+cultural+history+of+the+american+sixties+let+it+bleed&hl=en&sa=X&ei=zV2gVKv7JYeQyQT9zoKgAw&ved=0CB0Q6AEwAA#v=onepage&q=die%20at%20the%20right%20time!%3A%20a%20subjective%20cultural%20history%20of%20the%20american%20sixties%20let%20it%20bleed&f=false
  7. ^ John Fordham (July 7, 2011). "Standing on the Rooftop CD Review". London: The Guardian. Retrieved 2012-11-18. 

See also