Noli me tangere
Noli me tangere, meaning "touch me not" or "don't tread on me", is the Latin version of words spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after his resurrection.
The biblical scene of Mary Magdalene's recognizing Jesus Christ after his resurrection became the subject of a long, widespread and continuous iconographic tradition in Christian art from late antiquity to the present. So Pablo Picasso for example used the painting Noli me tangere by Antonio da Correggio, stored in the Museo del Prado, as an iconographic source for his famous painting La Vie (Cleveland Museum of Art) from the so-called Blue Period.
The words are the motto of Houses Tobin, St. Aubyn, Wormell and Wormald.
The words were also occasionally used to describe a disease known to medieval physicians as a "hidden cancer" or cancer absconditus, as the more the swellings associated with these cancers were handled, the worse they became.
The words were a popular trope in Gregorian chant. The supposed moment in which they were spoken was a popular subject for paintings in cycles of the Life of Christ and as single subjects, for which the phrase is the usual title.
The expression found its way into culture and literature. According to Solinus, white stags found 300 years after Caesar's death had their collars inscribed with "Noli me tangere, Caesaris sum", meaning "Do not touch me, I am Caesar's". This phrase, in turn, appears in the lyric poem "Whoso list to hunt" by 16th-century poet Sir Thomas Wyatt, inscribed on the collar of a hind who stands for the elusive lover hunted (metaphorically) by the speaker: "There is written, her fair neck round about: / Noli me tangere, for Caesar's I am."
Historically, the phrase was used by the Confederate States of America in reference to the Gadsden flag—with its derivation "don't tread on me"—and other representations dating to the American War for Independence. In the United States military, the phrase is also the motto of the US Army's oldest infantry regiment, the 3rd U.S. Infantry Regiment (The Old Guard), located at Fort Myer, Virginia. It is also the motto of No.103 (Bomber) Squadron, Royal Air Force.
In medicine, the phrase or a paraphrase in the vernacular is often drilled into surgical students regarding organs of the body that are notoriously delicate or prone to develop complications if disturbed; up through the early half of the 20th century, the most common invocation of this phrase concerned the heart. In current times, the organ considered most deserving of the phrase is typically the pancreas; the maxim "eat when you can, sleep when you can, don't mess with the pancreas" is commonly found in surgical anecdotes.
- Noli me tangere.jpg
Noli me tangere fresco by Fra Angelico
- Schongauer, Martin - Noli me tangere (detail).JPG
Noli me tangere by Martin Schongauer
- Fra bartolomeo 09 Noli Me Tangere.jpg
Noli Me Tangere, by Fra Bartolomeo c. 1506
- Titian - Christus und Maria Magdalena Noli me tangere.jpg
Noli me tangere by Titian c.1511-15
- Brooklyn Museum - Touch Me Not (Noli me tangere) - James Tissot.jpg
Touch Me Not (Noli me tangere) by James Tissot
- Noli me tangere (1524); Hans Holbein the Younger.JPG
Noli me Tangere by Hans Holbein the Younger, 1524.
- IVANOV YAV HRISTA MARI1.jpg
Appearance of Jesus to Mary Magdalene after resurrection, Alexander Ivanov, 1835
- Gadsden flag
- Life of Jesus in the New Testament
- Noli me tangere Casket
- Resurrection appearances of Jesus
- Fischer 2004, p. 315
- Cannon, Jr. 1991, p. 38
- Shipley 2001, p. 400
- See, for instance, "Touch Me Not" by Gary F. Zeolla or Greek Verbs. In fact the form of the verb used is not the aorist imperative, which would indicate momentary or point action, but the present, which indicates an action in progress (Lesson Five - Greek Verbs). When, later in the same chapter, Jesus invites Thomas to touch his side, the aorist imperative is used to indicate the proposed momentary action (John 20:27). See also Jeremy Duff, The Elements of New Testament Greek, 7.2.2. "The difference between the Present and Aorist Imperatives".
- See G. Schiller, "Ikonographie der christlichen Kunst", vol. 3, Auferstehung und Erhöhung Christi, Gütersloh 2 1986 (ISBN 3-579-04137-1), p. 95-98, pl. 275-297; Art. Noli me tangere, in: "Lexikon der christlichen Ikonographie", vol. 3 Allgemeine Ikonographie L-R, Rom Freiburg Basel Wien 1971 (ISBN 3-451-22568-9), col. 332-336.
- Gereon Becht-Jördens, Peter M. Wehmeier: Picasso und die christliche Ikonographie. Mutterbeziehung und künstlerische Position. Reimer, Berlin 2003, esp. p. 39-42, fig. 1-4 ISBN 3-496-01272-2
- Wallis, Faith. "Medieval Medicine: A Reader". University of Toronto Press, 2010, p. 345 ISBN 978-1442601031
- Rumens, Carol (10 August 2009). "Poem of the week: Whoso List to Hunt by Thomas Wyatt". London: The Guardian. Retrieved 26 May 2011.
- Cannon, Jr., Devereaux D. (1991), The Flags of the Confederacy: An Illustrated History, St. Lukes Press, ISBN 978-0918518637
- Fischer, David Hackett (2004), Liberty and Freedom: A Visual History of America's Founding Ideas, Oxford University Press, ISBN 978-0195162530
- Shipley, Joseph Twadell (2001), The Origins of English Words: A Discursive Dictionary of Indo-European Roots, The Johns Hopkins University Press, ISBN 978-0801830044