The Girl with the Dragon Tattoo (2011 film)
Unknown extension tag "indicator"
|The Girl with the Dragon Tattoo|
File:The Girl with the Dragon Tattoo Poster.jpg|
Theatrical release poster
|Directed by||David Fincher|
|Screenplay by||Steven Zaillian|
The Girl with the Dragon Tattoo |
by Stieg Larsson
|Box office||$232.6 million|
The Girl with the Dragon Tattoo is a 2011 Swedish-American mystery thriller film based on the novel of the same name by Stieg Larsson. This film adaptation was directed by David Fincher and written by Steven Zaillian. Starring Daniel Craig and Rooney Mara, it tells the story of journalist Mikael Blomkvist's (Craig) investigation to find out what happened to a woman from a wealthy family who disappeared forty years prior. He recruits the help of computer hacker Lisbeth Salander (Mara).
Sony Pictures Entertainment began development on the film in 2009, the year the first, highly acclaimed adaptation of the novel entered cinemas. It took the company a few months to obtain the rights to the novel, while recruiting Zaillian and Fincher. The casting process for the lead roles was exhaustive and intense: Craig faced scheduling conflicts and a number of actresses were sought for the role of Lisbeth Salander. The script took over six months to write, which included three months of analyzing the novel.
Pre-release screenings occurred in London, New York City and Stockholm. Critics gave the film favorable reviews, applauding its dark, grim tone and there was a surfeit of praise for the performances of Mara and Craig. With a production budget of $90 million, the film grossed $232.6 million over its theatrical run. In addition to being included in the best-of lists in several publications, the film was a candidate for numerous awards, ultimately winning nine accolades including an Academy Award for Best Film Editing.
In Stockholm, Sweden, journalist Mikael Blomkvist, co-owner of Millennium magazine, has lost a libel case brought against him by businessman Hans-Erik Wennerström. Lisbeth Salander, a brilliant but troubled investigator and hacker, compiles an extensive background check on Blomkvist for business magnate Henrik Vanger, who has a special task for him. In exchange for the promise of damning information about Wennerström, Blomkvist agrees to investigate the disappearance and assumed murder of Henrik's grandniece, Harriet, 40 years ago. After moving to the Vanger family's compound, Blomkvist uncovers a notebook containing a list of names and numbers that no one has been able to decipher.
Salander, who is under state legal guardianship due to diagnosed mental incompetency, is appointed a new guardian, lawyer Nils Bjurman, after her previous guardian has a stroke. Bjurman abuses his authority to extort sexual favors from Salander and then rapes her, not realizing she has a hidden video camera in her bag. At their next meeting she stuns him with a Taser, rapes him with a dildo and marks him as a rapist with a tattoo on his chest and stomach. Using her video recording she threatens blackmail, insisting that he write a glowing progress report and allow her full control of her money.
Blomkvist's daughter visits him and notes that the numbers from the notebook are Bible references. Blomkvist tells Vanger's lawyer, Dirch Frode, that he needs help with his research, and Frode recommends Salander based on the work she did researching Blomkvist himself. Blomkvist hires Salander to investigate the notebook's content. She uncovers a connection to a series of murders of young women from 1947 through 1967, with the women either being Jewish or having Biblical names; many of the Vangers are known antisemites. During the investigation, Salander and Blomkvist become lovers. Henrik's brother Harald identifies Martin, Harriet's brother and operational head of the Vanger empire, as a possible suspect. Salander's research uncovers evidence that Martin and his deceased father, Gottfried, committed the murders.
Blomkvist breaks into Martin's house to look for more clues, but Martin catches him and prepares to kill him. Martin brags of having killed women for decades, but denies killing Harriet. Salander arrives, subdues Martin and saves Blomkvist. While Salander tends to Blomkvist, Martin flees. Salander, on her motorcycle, pursues Martin in his SUV. He loses control of his vehicle on an icy road and dies when it catches fire. Salander nurses Blomkvist back to health, and tells him that she tried to kill her father when she was 12. Blomkvist deduces that Harriet is still alive and her cousin Anita likely knows where she is. He and Salander monitor Anita, waiting for her to contact Harriet. When nothing happens, Blomkvist confronts her, deducing that Anita is Harriet herself. She explains that her father and brother had sexually abused her for years, and that Martin saw her kill their father in self-defense. Her cousin Anita smuggled her out of the island and let her live under her identity. Finally free of her brother, she returns to Sweden and tearfully reunites with Henrik.
As promised, Henrik gives Blomkvist the information on Wennerström, but it proves worthless. Salander hacks into Wennerström's computer and presents Blomkvist with evidence of Wennerström's crimes. Blomkvist publishes an article that ruins Wennerström, who flees the country. Salander hacks into Wennerström's bank accounts and, travelling to Switzerland in disguise, transfers two billion euros to various accounts. Wennerström is found murdered. Salander reveals to her former guardian that she is in love with Blomkvist. On her way to give Blomkvist a Christmas present, Salander sees him and his longtime lover and business partner Erika Berger walking together happily. She discards the gift and rides away.
- A co-owner for Swedish lifestyle magazine Millennium, Blomkvist is devoted to exposing the corruptions and malfeasances of government, attracting infamy for his tendency to "go too far". Craig competed with Brad Pitt, George Clooney, Viggo Mortensen, and Johnny Depp as candidates for the role. Initial concerns over schedule conflicts with the production of Cowboys & Aliens (2011) and Skyfall (2012) prompted Craig to postpone the casting process. Given the uncertainty surrounding Skyfall following Metro-Goldwyn-Mayer's bankruptcy, Sony Pictures Entertainment and DreamWorks worked out a schedule and Craig agreed to take the part. The British actor was required to gain weight and adopted a neutral accent to befit Stockholm's worldly cultural fabric. Having read the book amid its "initial craze", Craig commented, "it's one of those books you just don't put down" and "there's just this immediate feeling that bad things are going to happen and I think that's part of why they've been so readable for people."
- Salander is a computer hacker who has survived severe emotional and sexual abuse. The character was a "vulnerable victim-turned-vigilante" who possessed the "take-no-prisoners" attitude of Lara Croft and the "cool, unsentimental intellect" of Spock. Fincher felt that Salander's eccentric persona was enthralling, and stated, "there's a kind of wish fulfillment to her in the way that she takes care of things, the way she will only put up with so much, but there are other sides to her as well." Casting was complicated by the raft of prominent candidates such as Natalie Portman, Ellen Page, Kristen Stewart, Jennifer Lawrence, Keira Knightley, Anne Hathaway, Olivia Thirlby, Scarlett Johansson, and Emma Watson. Despite the hype, some eventually withdrew from consideration due to the time commitment and low pay. Mara had worked with Fincher in his 2010 film The Social Network. Fincher, while fond of the actress' youthful appearance, found it difficult at first to mold her to match Salander's antisocial demeanor, which was a vast contrast from her earlier role as the submissive Erica. Mara went through multiple changes in her appearance to become Salander. Her hair was dyed black and cut into various jagged points, giving the appearance that she cut it herself. In addition to her transgressive appearance, which was described as a "mash-up of brazen Seventies punk and spooky Eighties goth with a dash of S&M temptress" by Lynn Hirschberg of W, Mara participated in a formal screening and was filmed by Fincher on a subway in Los Angeles in an effort to persuade the executives of Sony Pictures that she was a credible choice.
- Yorick van Wageningen as Nils Bjurman:
- Salander's legal guardian, he uses his position of authority to sexually abuse and eventually rape her. Salander soon turns the tables on him, torturing him and branding him as a rapist. Fincher wanted the character to be worse than a typical antagonist, although he did not want to emulate the stereotypical "mustache-twirling pervert". The director considered Van Wageningen to be the embodiment of a versatile actor—one who was a "full-fledged human being", a "brilliant" actor. "He was able to bring his performance from a logical place in Bjurman's mind and find the seething morass of darkness inside," Fincher stated. Bjurman's multifaceted psyche was the main reason Van Wageningen wanted to play the role. The Dutch actor said, "This character goes through a lot and I wasn't quite sure I wanted to go through all that. I started out half way between the elation of getting to work with David Fincher and the dread of this character, but I was able to use both of those things. We both thought the most interesting route would be for Bjurman to seem half affable. The challenge was not in finding the freak violence in the guy but finding the humanity of him."
- Christopher Plummer as Henrik Vanger:
- Henrik is a wealthy businessman who launches an extensive investigation into his family's affairs. Despite calling the Vanger family "dysfunctional", Plummer said of the character: "I love the character of the old man, and I sympathize with him. He's really the nicest old guy in the whole book. Everybody is a bit suspect, and still are at the end. Old Vanger has a nice straight line, and he gets his wish." Plummer wanted to imbue the character with irony, an element he found to be absent from the novel's Henrik. "I think that the old man would have it," he opined, "because he's a very sophisticated old guy [...] used to a great deal of power. So in dealing with people, he would be very good [...] he would be quite jokey, and know how to seduce them."
- Stellan Skarsgård as Martin Vanger:
- Martin is the current CEO of the Vanger Corporation. Skarsgård was allured by the character's dual nature, and was fascinated that he got to portray him in "two totally different ways". In regards to Martin's "very complex" and "complicated" personality, the Swedish actor said, "He can be extremely charming, but he also can seem to be a completely different person at different points in the film." While consulting with Fincher, the director wanted Skarsgård to play Martin without reference to the book.
- Joely Richardson as Harriet Vanger:
- In performing her "tricky" character, Richardson recalled that Fincher wanted her to embrace a "darker, edgier" persona, without sugarcoating, and not "resolved or healed". "Even if you were starting to move towards the direction of resolved or healed, he still wanted it edgy and dark. There are no straightforward emotions in the world of this film."
- Robin Wright as Erika Berger
- Steven Berkoff as Dirch Frode
- Geraldine James as Cecilia Vanger
- Ulf Friberg as Wennerström
- Goran Višnjić as Dragan Armansky
- Donald Sumpter as Detective Morell
- Embeth Davidtz as Annika Giannini
- Joel Kinnaman as Christer Malm
- Elodie Yung as Miriam Wu
- Tony Way as Plague
- Alan Dale as Detective Isaksson
- Julian Sands as Young Henrik Vanger
- David Dencik as Young Morell
- Fredrik Dolk as Wennerström's Lawyer
- Per Myrberg as Harald Vanger
- Gustaf Hammarsten as Young Harald
- Leo Bill as Trinity
- Josefin Asplund as Pernilla Blomkvist
Conception and writing
The success of Stieg Larsson's novel created Hollywood interest in adapting the book, as became apparent in 2009, when Lynton and Pascal pursued the idea of developing an "American" version unrelated to the film adaptation released that year. By December, two major developments occurred for the project: Steven Zaillian, who had recently completed the script for Moneyball (2011), became the screenwriter, while producer Scott Rudin finalized a partnership allocating full copyrights to Sony. Zaillian, who was unfamiliar with the novel, got a copy from Rudin. The screenwriter recalled, "They sent it to me and said, 'We want to do this. We will think of it as one thing for now. It's possible that it can be two and three, but let's concentrate on this one.'" After reading the book, the screenwriter did no research on the subject. Fincher, who was requested with partner Cean Chaffin by Sony executives to read the novel, was astounded by the series' size and success. As they began to read, the duo noticed that it had a tendency to take "readers on a lot of side trips"—"from detailed explanations of surveillance techniques to angry attacks on corrupt Swedish industrialists," professed The Hollywood Reporter 's Gregg Kilday. Fincher recalled of the encounter: "The ballistic, ripping-yarn thriller aspect of it is kind of a red herring in a weird way. It is the thing that throws Salander and Blomkvist together, but it is their relationship you keep coming back to. I was just wondering what 350 pages Zaillian would get rid of." Because Zaillian was already cultivating the screenplay, the director avoided interfering. After a conversation, Fincher was comfortable "they were headed in the same direction".
The writing process consumed approximately six months, including three months creating notes and analyzing the novel. Zaillian noted that as time progressed, the writing accelerated. "As soon as you start making decisions," he explained, "you start cutting off all of the other possibilities of things that could happen. So with every decision that you make you are removing a whole bunch of other possibilities of where that story can go or what that character can do." Given the book's sizable length, Zaillian deleted elements to match Fincher's desired running time. Even so, Zaillan took significant departures from the book. To Zaillian, there was always a "low-grade" anxiety, "but I was never doing anything specifically to please or displease," he continued. "I was simply trying to tell the story the best way I could, and push that out of my mind. I didn't change anything just for the sake of changing it. There's a lot right about the book, but that part, I thought we could do it a different way, and it could be a nice surprise for the people that have read it."
Zaillian discussed many of the themes in Larsson's Millennium series with Fincher, taking the pair deeper into the novel's darker subjects, such as the psychological dissimilarities between rapists and murderers. Fincher was familiar with the concept, from projects such as Seven (1995) and Zodiac (2007). Zaillian commented, "A rapist, or at least our rapist, is about exercising his power over somebody. A serial killer is about destruction; they get off on destroying something. It's not about having power over something, it's about eliminating it. What thrills them is slightly different." The duo wanted to expose the novels' pivotal themes, particularly misogyny. "We were committed to the tack that this is a movie about violence against women about specific kinds of degradation, and you can't shy away from that. But at the same time you have to walk a razor thin line so that the audience can viscerally feel the need for revenge but also see the power of the ideas being expressed." Instead of the typical three-act structure, they reluctantly chose a five act structure, which Fincher pointed out is "very similar to a lot of TV cop dramas."
Fincher and Zaillian's central objective was to maintain the novel's setting. To portray Larsson's vision of Sweden, and the interaction of light on its landscape, Fincher cooperated with an artistic team that included cinematographer Jeff Cronenweth and production designer Donald Graham Burt. The film was wholly shot using Red Digital Cinema Camera Company's RED MX digital camera, chosen to help evoke Larsson's tone. The idea, according to Cronenweth, was to employ unorthodox light sources and maintain a realistic perspective. "So there may be shadows, there may be flaws, but it's reality. You allow silhouettes and darkness, but at the same time we also wanted shots to counter that, so it would not all be one continuous dramatic image." Sweden's climate was a crucial element in enhancing the mood. Cronenweth commented, "It's always an element in the background and it was very important that you feel it as an audience member. The winter becomes like a silent character in the film giving everything a low, cool-colored light that is super soft and non-direct." To get acquainted with Swedish culture, Burt set out on a month-long expedition across the country. He said of the process, "It takes time to start really taking in the nuances of a culture, to start seeing the themes that recur in the architecture, the landscape, the layouts of the cities and the habits of the people. I felt I had to really integrate myself into this world to develop a true sense of place for the film. It was not just about understanding the physicality of the locations, but the metaphysics of them, and how the way people live comes out through design."
Principal photography began in Stockholm, Sweden in September 2010. Production mostly took place at multiple locations in the city's central business district, including at the Stockholm Court House. One challenge was realizing the Vanger estate. They picked an eighteenth-century French architecture mansion Hofsta located approximately Script error: No such module "convert". southwest of Stockholm. Filmmakers wanted to use a typical "manor from Småland" that was solemn, formal, and "very Old Money". "The Swedish are very good at the modern and the minimal but they also have these wonderful country homes that can be juxtaposed against the modern city—yet both speak to money." Principal photography relocated in October to Uppsala. On Queen Street, the facade of the area was renovated to mimic the Hotel Alder, after an old photograph of a building obtained by Fincher. From December onward, production moved to Zurich, Switzerland, where locations were established at Dolder Grand Hotel and the Zurich Airport. Because of the "beautiful" environment of the city, Fincher found it difficult to film in the area. Principal photography concluded in Oslo, Norway, where production took place at Oslo Airport, Gardermoen. Recorded for over fifteen hours, twelve extras were sought for background roles. Filming also took place in the United Kingdom and the United States.
In one sequence the character Martin Vanger plays the song "Orinoco Flow" by Enya before beginning his torture of Mikael Blomkvist. David Fincher, the director, said that he believed that Martin "doesn’t like to kill, he doesn’t like to hear the screams, without hearing his favorite music" so therefore the character should play a song during the scene. Daniel Craig, the actor who played Blomkvist, selected "Orinoco Flow" on his iPod as a candidate song. Fincher said "And we all almost pissed ourselves, we were laughing so hard. No, actually, it’s worse than that. He said, ‘Orinoco Flow!’ Everybody looked at each other, like, what is he talking about? And he said, ‘You know, “Sail away, sail away...”’ And I thought, this guy is going to make Blomkvist as metro as we need."
Tim Miller, creative director for the title sequence, wanted to develop an abstract narrative that reflected the pivotal moments in the novel, as well as the character development of Lisbeth Salander. It was arduous for Miller to conceptualize the sequence abstractly, given that Salander's occupation was a distinctive part of her personality. His initial ideas were modeled after a keyboard. "We were going to treat the keyboard like this giant city with massive fingers pressing down on the keys," Miller explained, "Then we transitioned to the liquid going through the giant obelisks of the keys." Among Miller's many vignettes was "The Hacker Inside", which revealed the character's inner disposition and melted them away. The futuristic qualities in the original designs provided for a much more cyberpunk appearance than the final product. In creating the "cyber" look for Salander, Miller said, "Every time I would show David a design he would say, 'More Tandy!' It's the shitty little computers from Radio Shack, the Tandy computers. They probably had vacuum tubes in them, really old technology. And David would go 'More Tandy', until we ended up with something that looked like we glued a bunch of computer parts found at a junkyard together."
Fincher wanted the vignette to be a "personal nightmare" for Salander, replaying her darkest moments. "Early on, we knew it was supposed to feel like a nightmare," Miller professed, who commented that early on in the process, Fincher wanted to use an artwork as a template for the sequence. After browsing through various paintings to no avail, Fincher chose a painting that depicted the artist, covered in black paint, standing in the middle of a gallery. Many of Miller's sketches contained a liquid-like component, and were rewritten to produce the "gooey" element that was so desired. "David said let's just put liquid in all of them and it will be this primordial dream ooze that's a part of every vignette," Miller recalled. "It ties everything together other than the black on black."
The title sequence includes abundant references to the novel, and exposes several political themes. Salander's tattoos, such as her phoenix and dragon tattoos, were incorporated. The multiple flower representations signified the biological life cycle, as well as Henrik, who received a pressed flower each year on his birthday. "One had flowers coming out of this black ooze," said Fincher, "it blossoms, and then it dies. And then a different flower, as that one is dying is rising from the middle of it. It was supposed to represent this cycle of the killer sending flowers." Ultimately, the vignette becomes very conceptual because Miller and his team took "a whole thought, and cut it up into multiple different shots that are mixed in with other shots". In one instance, Blomkvist is strangled by strips of newspaper, a metaphor for the establishment squelching his exposes.
In the "Hot Hands" vignette, a pair of rough, distorted hands that embrace Salander's face and melt it represent all that's bad in men. The hands that embrace Blomkvist's face and shatter it, represent wealth and power. Themes of domestic violence become apparent as a woman's face shatters after a merciless beating; this also ties in the brutal beating of Salander's mother by her father, an event revealed in the sequel, The Girl Who Played with Fire (2006).
A cover of Led Zeppelin's "Immigrant Song" (1970) plays throughout the title sequence. The rendition was produced by soundtrack composers Atticus Ross and Nine Inch Nails member Trent Reznor, and features vocals from Yeah Yeah Yeahs lead singer Karen O. Fincher suggested the song, but Reznor agreed only at his request. Led Zeppelin licensed the song only for use in the film's trailer and title sequence. Fincher stated that he sees title sequences as an opportunity to set the stage for the film, or to get an audience to let go of its preconceptions.
Software packages that were primarily used are 3ds Max (for modeling, lighting, rendering), Softimage (for rigging and animation), Digital Fusion (for compositing), Real Flow (for fluid dynamics), Sony Vegas (for editorial), Zbrush and Mudbox (for organic modeling), and VRAY (for rendering).
Fincher recruited Reznor and Ross to produce the score; aside from their successful collaboration on The Social Network, the duo had worked together on albums from Nine Inch Nails' later discography. They dedicated much of the year to work on the film, as they felt it would appeal to a broad audience. Akin to his efforts in The Social Network, Reznor experiments with acoustics and blends them with elements of electronic music, resulting in a forbidding atmosphere. "We wanted to create the sound of coldness—emotionally and also physically," he asserted, "We wanted to take lots of acoustic instruments [...] and transplant them into a very inorganic setting, and dress the set around them with electronics."
Even before viewing the script, Reznor and Ross opted to use a redolent approach to creating the film's score. After discussing with Fincher the varying soundscapes and emotions, the duo spent six weeks composing. "We composed music we felt might belong," stated the Nine Inch Nails lead vocalist, "and then we'd run it by Fincher, to see where his head’s at and he responded positively. He was filming at this time last year and assembling rough edits of scenes to see what it feels like, and he was inserting our music at that point, rather than using temp music, which is how it usually takes place, apparently." Finding a structure for the soundtrack was arguably the most strenuous task. "We weren’t working on a finished thing, so everything keeps moving around, scenes are changing in length, and even the order of things are shuffled around, and that can get pretty frustrating when you get precious about your work. It was a lesson we learned pretty quickly of, 'Everything is in flux, and approach it as such. Hopefully it’ll work out in the end.'"
A screening for The Girl with the Dragon Tattoo took place on November 28, 2011, as part of a critics-only event hosted by the New York Film Critics Circle. Commentators at the event predicted that while the film would become a contender for several accolades, it would likely not become a forerunner in the pursuit for Academy Award nominations. A promotional campaign commenced thereafter, including a Lisbeth Salander-inspired collection, designed by Trish Summerville for H&M. The worldwide premiere was at the Odeon Leicester Square in London on December 12, 2011, followed by the American opening at the Ziegfeld Theatre in New York City on December 14 and Stockholm the next day. Sony's target demographics were men and women over the age of 25 and 17–34. The film went into general release in North America on December 21, at 2,700 theaters, expanding to 2,974 theaters on its second day. The United Kingdom release was on December 26, Russia on January 1, 2012, and Japan on February 13. India and Vietnam releases were abandoned due to censorship concerns. A press statement from the Central Board of Film Certification stated: "Sony Pictures will not be releasing The Girl with the Dragon Tattoo in India. The censor board has judged the film unsuitable for public viewing in its unaltered form and, while we are committed to maintaining and protecting the vision of the director, we will, as always, respect the guidelines set by the board." In contrast, the National Film Board of Vietnam insisted that the film's withdrawal had no relation to rigid censorship guidelines, as it had not been reviewed by the committee.
Sony Pictures Home Entertainment released the film in a DVD and Blu-ray disc combo pack in the United States on March 20, 2012. Bonus features include a commentary from Fincher, featurettes on Blomkvist, Salander, the sets and locations, etc. The disc artwork for the DVD version of the film resembles a Sony brand DVD-R, a reference to the hacker Lisbeth Salander. This caused a bit of confusion in the marketplace with consumers thinking they had obtained a bootleg copy. The release sold 644,000 copies in its first week, in third place behind The Muppets and Hop. The following week, the film sold an additional 144,000 copies generating $2.59 million in gross revenue. As of January 2014, 1,478,230 units had been sold, grossing $22,195,069.
Fincher's film grossed $232.6 million during its theatrical run. The film's American release grossed $1.6 million from its Tuesday night screenings, a figure that increased to $3.5 million by the end of its first day of general release. It maintained momentum into its opening weekend, accumulating $13 million for a total of $21 million in domestic revenue. The film's debut figures fell below media expectations. Aided by positive word of mouth, its commercial performance remained steady into the second week, posting $19 million from 2,914 theaters. The third week saw box office drop 24% to $11.3 million, totaling $76.8 million. The number of theaters slightly increased to 2,950. By the fifth week, the number of theaters shrank to 1,907, and grosses to $3.7 million, though it remained within the national top ten. The film completed its North American theatrical run on March 22, 2012, earning over $102.5 million.
The international debut was in six Scandinavian markets on December 19–25, 2011, securing $1.6 million from 480 venues. In Sweden the film opened in 194 theaters to strong results, accounting for more than half of international revenue at the time ($950,000). The first full week in the United Kingdom collected $6.7 million from 920 theaters. By the weekend of January 6–8, 2012, the film grossed $12.2 million for a total of $29 million; this included its expansion into Hong Kong, where it topped the box office, earning $470,000 from thirty-six establishments. The film similarly led the field in South Africa. It accumulated $6.6 million from an estimated 600 theaters over a seven-day period in Russia, placing fifth. The expansion continued into the following week, opening in nine markets. The week of January 13–15 saw the film yield $16.1 million from 3,910 locations in over forty-three territories, thus propelling the international gross to $49.3 million. It debuted at second place in Austria and Germany, where in the latter, it pulled $2.9 million from 525 locations. Similar results were achieved in Australia, where it reached 252 theaters. The film's momentum continued throughout the month, and by January 22, it had hit ten additional markets, including France and Mexico, from which it drew $3.25 million from 540 venues and $1.25 million from 540 theaters, respectively. In its second week in France it descended to number three, with a total gross of $5.8 million.
The next major international release came in Japan on February 13, where it opened in first place with $3.68 million (¥288 million) in 431 theaters. By the weekend of February 17–19, the film had scooped up $119.5 million from international markets. The total international gross for The Girl with the Dragon Tattoo was $130.1 million. MGM, one of the studios involved in the production, posted a "modest loss" and declared that they had expected the film to gross at least 10% more.
Review aggregation website Rotten Tomatoes gives the film a score of 86%, based on reviews from 224 critics, with an average score of 7.6/10. The site's consensus states, "Brutal yet captivating, The Girl with the Dragon Tattoo is the result of David Fincher working at his lurid best with total role commitment from star Rooney Mara." At Metacritic, which assigns a normalized rating out of 100 based on the reviews of mainstream critics, the film received an average score of 71 based on 41 reviews.
David Denby of The New Yorker asserted that the austere, but captivating installment presented a "glancing, chilled view" of a world where succinct moments of loyalty coexisted with constant trials of betrayal. To USA Today columnist Claudia Puig, Fincher captures the "menace and grim despair in the frosty Scandinavian landscape" by carefully approaching its most gruesome features. Puig noted a surfeit of "stylistic flourishes" and "intriguing" changes in the narrative, compared to the original film. In his three-and-a-half star review, Chris Knight of the National Post argued that it epitomized a so-called "paradoxical position" that was both "immensely enjoyable and completely unnecessary". Rene Rodriguez of The Miami Herald said that the "fabulously sinister entertainment" surpassed the original film "in every way". The film took two-and-a-half stars from Rolling Stone commentator Peter Travers, who concluded: "Fincher's Girl is gloriously rendered but too impersonal to leave a mark." A. O. Scott, writing for The New York Times, admired the moments of "brilliantly orchestrated" anxiety and confusion, but felt that The Girl with the Dragon Tattoo was vulnerable to the "lumbering proceduralism" that he saw in its literary counterpart, as evident with the "long stretches of drab, hackneyed exposition that flatten the atmosphere". The Wall Street Journal 's Joe Morgenstern praised Cronenweth's cinematography, which he thought provided for glossy alterations in the film's darkness; "Stockholm glitters in nighttime exteriors, and its subway shines in a spectacular spasm of action involving a backpack." Rex Reed of The New York Observer professed that despite its occasional incomprehensibility, the movie was "technically superb" and "superbly acted". In contrast, Kyle Smith of New York Post censured the film, calling it "rubbish" and further commenting that it "demonstrates merely that masses will thrill to an unaffecting, badly written, psychologically shallow and deeply unlikely pulp story so long as you allow them to feel sanctified by the occasional meaningless reference to feminism or Nazis."
The performances were a frequent topic in the critiques. Mara's performance, in particular, was admired by commentators. In comparing the performances between Mara and Noomi Rapace, who played Salander in the 2009 film, Roger Ebert of the Chicago Sun-Times said that Rapace felt more self-conscious in the role. A revelation in the eyes of Entertainment Weekly 's Owen Gleiberman, he proclaimed that her character was more important than "her ability to solve a crime". Her "hypnotic" portrayal was noted by Justin Chang of Variety, as well as Salon critic Andrew O'Hehir, who wrote, "Rooney Mara is a revelation as Lisbeth Salander, the damaged, aggressive computer geek and feminist revenge angel, playing the character as far more feral and vulnerable than Noomi Rapace’s borderline-stereotype sexpot Goth girl." Scott Tobias of The A.V. Club enjoyed the chemistry between Mara and Craig, as did David Germain of the Associated Press; "Mara and Craig make an indomitable screen pair, he nominally leading their intense search into decades-old serial killings, she surging ahead, plowing through obstacles with flashes of phenomenal intellect and eruptions of physical fury." Although Puig found Mara inferior to Rapace in playing Salander, with regard to Craig's performance, he said that the actor shone. This was supported by Morgenstern who avouched that Craig "nonetheless finds welcome humor in Mikael's impassive affect".
In addition to numerous awards, The Girl with the Dragon Tattoo was included on several year-end lists by film commentators and publications. It was named the best film of 2011 by MTV and James Berardinelli of ReelViews. The former wrote, "The director follows up the excellent Social Network with another tour de force, injecting the murder mystery that introduces us to outcast hacker Lisbeth Salander [...] and embattled journalist [...] with style, intensity and relentless suspense. Mara is a revelation, and the film's daunting 160-minute runtime breezes by thanks to one heart-racing scene after the next. Dark and tough to watch at times, but a triumph all around." The film came second in indieWire 's list of "Drew Taylor's Favorite Films Of 2011", while reaching the top ten of seven other publications, including the St. Louis Post-Dispatch, San Francisco Chronicle, and the New Orleans Times-Picayune. The Girl with the Dragon Tattoo was declared one of the best films of the year by the American Film Institute, as well as the National Board of Review of Motion Pictures.
|Date of ceremony||Award||Category||Recipients||Result|
|January 10, 2012||Alliance of Women Film Journalists Awards 2011||Best Film Music or Score||Trent Reznor, Atticus Ross||Won|
|February 12, 2012||American Society of Cinematographers Awards||Best Cinematography||Jeff Cronenweth||Nominated|
|February 12, 2012||British Academy Film and Television Awards||BAFTA Award for Best Cinematography||Jeff Cronenweth||Nominated|
|BAFTA Award for Best Original Music||Trent Reznor, Atticus Ross||Nominated|
|January 12, 2012||Broadcast Film Critics Association Awards||Best Editing||Kirk Baxter, Angus Wall||Won|
|Best Composer||Trent Reznor, Atticus Ross||Nominated|
|January 5, 2012||Central Ohio Film Critics Association Awards||Best Picture||Nominated|
|Best Director||David Fincher||Nominated|
|Best Adapted Screenplay||Steven Zaillian||Won|
|December 19, 2011||Chicago Film Critics Association Awards||Best Original Score||Trent Reznor, Atticus Ross||Nominated|
|January 10, 2012||Denver Film Critics Association Awards||Best Actress||Rooney Mara||Nominated|
|January 28, 2012||Directors Guild of America Awards||Best Director||David Fincher||Nominated|
|January 15, 2012||Golden Globe Awards||Best Actress – Motion Picture Drama||Rooney Mara||Nominated|
|Best Original Score||Trent Reznor, Atticus Ross||Nominated|
|June 3, 2012||MTV Movie Awards||Best Female Performance||Rooney Mara||Nominated|
|Breakthrough Performance||Rooney Mara||Nominated|
|Best On-Screen Transformation||Rooney Mara||Nominated|
|December 1, 2011||National Board of Review Awards|
|Breakthrough Performance||Rooney Mara (Tied with Felicity Jones)||Won|
|December 23, 2011||Oklahoma Film Critics Circle Awards||Best Picture||Nominated|
|January 21, 2012||Producers Guild of America Award||Best Picture||Nominated|
|December 19, 2011||St. Louis Gateway Film Critics Association Awards||Best Director||David Fincher||Nominated|
|Best Actress||Rooney Mara||Won|
|Best Cinematography||Jeff Cronenweth||Nominated|
|Best Music||Trent Reznor, Atticus Ross||Nominated|
|Best Scene||Blur Studio (for the opening credits)||Won|
|December 5, 2011||Washington D.C. Area Film Critics Association Awards||Best Score||Trent Reznor, Atticus Ross||Nominated|
|February 19, 2012||Writers Guild Awards||Best Screenplay Adapted||Steven Zaillian||Nominated|
|February 26, 2012||84th Academy Awards||Best Actress||Rooney Mara||Nominated|
|Best Cinematography||Jeff Cronenweth||Nominated|
|Best Film Editing||Angus Wall, Kirk Baxter||Won|
|Best Sound Editing||Ren Klyce||Nominated|
|Best Sound Mixing||David Parker, Michael Semanick, Ren Klyce and Bo Persson||Nominated|
|June 7, 2012||Kerrang! Awards||Best Film||Nominated|
|July 26, 2012||38th Saturn Awards||Best Horror or Thriller Film||Won|
|February 10, 2013||Grammy Awards||Best Score Soundtrack for Visual Media||Trent Reznor, Atticus Ross||Won|
In December 2011, Fincher stated that he wanted to film the sequels, The Girl Who Played with Fire and The Girl Who Kicked the Hornets' Nest, "back to back". There was an announced release date of 2013 for a film version of The Girl Who Played with Fire, although by August 2012 it was delayed due to difficulties with the script, being written by Steve Zaillian. In July 2013, Andrew Kevin Walker was hired to re-write the script.
In September 2014, Fincher stated that a script for Played with Fire had been written that was "extremely different from the book", and that, despite the long delay, he was confident that the film would be made because Sony "already has spent millions of dollars on the rights and the script". Mara, however, has been less optimistic about the project, saying in interviews in both May 2014 and February 2015 that sequels looked unlikely, despite her desire to film them.
- "The Girl with the Dragon Tattoo (18)". British Board of Film Classification. Archived from the original on August 16, 2012. Retrieved December 6, 2011.
- "The Girl with the Dragon Tattoo (2011)". Box Office Mojo. Archived from the original on August 16, 2012. Retrieved March 23, 2012.
- "84th Academy Award winners". Retrieved September 20, 2013.
- "The Girl with the Dragon Tattoo: Production Notes" (PDF). Visual Hollywood. Retrieved June 30, 2012.
- "This week's cover: The secrets of 'The Girl With the Dragon Tattoo'". Entertainment Weekly. Time Inc. June 17, 2010. Retrieved June 30, 2012.
- Kilday, Greg (January 24, 2012). "The Making of 'The Girl With the Dragon Tattoo'". The Hollywood Reporter. Retrieved June 30, 2012.
- Fleming, Mike (July 26, 2010). "Daniel Craig Closes Deal For 'The Girl with The Dragon Tattoo'". Deadline. Retrieved May 30, 2011.
- Ditzian, Eric (August 16, 2010). "Rooney Mara Lands Lead In 'Girl with The Dragon Tattoo'". MTV (Viacom). Retrieved May 30, 2011.
- Ditzian, Eric (July 27, 2010). "'The Girl with the Dragon Tattoo' Casting Rumors: Sizing Up Our Potential Lisbeth Salander". MTV (Viacom). Retrieved July 1, 2012.
- Piccalo, Gina (August 15, 2010). "The Girl with the Dragon Tattoo: Who Will Play Her?". The Daily Beast. The Newsweek Daily Beast Company. Retrieved December 14, 2010.
- Péron, Didier; Wicker, Olivier (November 23, 2011). "Les dessous du nouveau millénium". Libération (in French). Retrieved August 15, 2012.
- Hirschberg, Lynn (February 2011). "David Fincher Gets The Girl". W. Condé Nast Publications. Retrieved July 1, 2012.
- "Rooney Mara Naked, Merkin Details For 'The Girl With The Dragon Tattoo'". Entertainment. The Huffington Post. December 13, 2011.
- Rocchi, James (December 19, 2011). "Interview: Christopher Plummer of 'The Girl with the Dragon Tattoo'". MSN. Retrieved July 1, 2012.
- The Girl With The Dragon Tattoo - Interview with Christopher Plummer (Audio commentary). HitFix. December 23, 2011.
- The Girl With The Dragon Tattoo - Stellan Skarsgård interview (Audio commentary). Black Film. December 18, 2011. Event occurs at 0:45-1:04 and 1:39-1:45.
- Weintraub, Steve (December 26, 2011). "Screenwriter Steven Zaillian Talks THE GIRL WITH THE DRAGON TATTOO, Sequels, and How He Might Direct the Remake of TIMECRIMES". Collider. Retrieved July 1, 2012.
- Jenkins, David. "Steven Zaillian: 'Screenwriting is a lonely business'". Time Out London. Retrieved July 2, 2012.
- Harris, Scott (April 1, 2010). "David Fincher Inks Deal For 'Dragon Tattoo'". Moviefone. Retrieved May 30, 2011.
- Godfrey, Alex (December 16, 2011). "The Girl With the Dragon Tattoo: Steven Zaillian on the difficulties of adapting Stieg Larsson". The Guardian. Guardian News and Media. Retrieved July 1, 2012.
- Fincher, David (2012). The Girl with the Dragon Tattoo (DVD commentary). Sony Pictures Home Entertainment. From 10:30 to 11:10. OCLC 776713480.
- "Fincher Calls Girl with 'Dragon Tattoo' Swedish Noir, Adds Cast, as Filming Begins in Stockholm – Thompson on Hollywood". indieWire. Snagfilms. September 8, 2010. Retrieved May 30, 2011.
- "Här är Rooney Mara som Salander". Svenska Dagbladet (in Swedish). Schibsted. October 9, 2010. Retrieved July 2, 2012.
- Cato, Carl (October 6, 2010). "Daniel Craig filmade i Uppsala". Svenska Dagbladet (in Swedish). Schibsted. Retrieved July 2, 2012.
- "The girl with the dragon tattoo". Zurich Film Office. Retrieved July 2, 2012.
- Scheiner, Andreas (January 11, 2012). "ZÜRICH IST ZU SCHÖN ZUM FILMEN". Tages-Anzeiger (in German). Tamedia. Retrieved July 2, 2012.
- Jorstad, Atle (April 19, 2011). "Hemmelig Hollywood-innspilling i Norge". Verdens Gang (in Norwegian). Schibsted. Retrieved July 2, 2012.
- "'The Girl With the Dragon Tattoo': How Enya's music became the tune of torture". Entertainment Weekly. December 22, 2011. Retrieved January 4, 2012.
- Woerner, Meredith (January 5, 2012). "An Exclusive Look at the Making of Dragon Tattoo's Stunning Titles". io9. Retrieved July 2, 2012.
- Ellingson, Annlee (December 15, 2011). "The Girl with the Dragon Tattoo". Paste. Wolfgang's Vault. Retrieved December 22, 2011.
- Ellingson, Annlee (December 14, 2011). "Trent Reznor: Darkness Audible". The Hollywood Reporter. Retrieved December 22, 2011.
- Rich, Katey (December 20, 2011). "Dragon Tattoo's Mara, Craig And Fincher Talk Motorcycles And Suffering Take After Take". Cinema Blend. Retrieved December 22, 2011.
- Rich, Katey (January 16, 2012). "Blur Talks: "The Girl with the Dragon Tattoo" Titles". MotionGrapher. Retrieved 16 January 2012.
- Gross, Terry (December 19, 2011). "Trent Reznor: The Fresh Air Interview". NPR. Retrieved July 3, 2012.
- Halperin, Shirley (December 14, 2011). "Trent Reznor: Darkness Audible". The Hollywood Reporter. Retrieved July 4, 2012.
- Giroux, Jack (December 12, 2011). "Trent Reznor Discusses ‘The Girl with the Dragon". The Film Stage. Retrieved July 4, 2012.
- Dickey, Josh (November 28, 2011). "'Dragon Tattoo' finally screens: Awards await, but 'Not a game-changer'". Variety. Reed Business Information. Retrieved July 4, 2012.
- Wilson, Gaby (December 2, 2011). "H&M Releases Images Of The 'Girl With The Dragon Tattoo' Collection". MTV (Viacom). Retrieved July 3, 2012.
- "Stieg Larsson's partner chides 'Dragon Tattoo' marketing". Associated Press. December 20, 2011. Retrieved July 3, 2012.
- Reynolds, Simon (December 12, 2011). "'The Girl with the Dragon Tattoo' premieres in London - pictures". Digital Spy. Retrieved July 3, 2012.
- "'The Girl With the Dragon Tattoo' Premiere: Rooney Mara, Daniel Craig Hit the Red Carpet (Photos)". The Hollywood Reporter. December 14, 2011. Retrieved July 4, 2012.
- Teran, Andi (December 15, 2011). "Rooney Mara Premieres 'The Girl With The Dragon Tattoo' In Nothing But Cutout Outfits". MTV (Viacom). Retrieved July 3, 2012.
- McClintock, Pamela (December 20, 2011). "Box Office Preview: The Christmas Cavalcade Begins, But Will Moviegoers Turn Up?". The Hollywood Reporter. Retrieved July 4, 2012.
- McClintock, Pamela (December 14, 2011). "Box Office Report: 'Girl with the Dragon Tattoo' Grosses at Least $1.6 Mil in Tuesday Night Runs". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (January 1, 2012). "Foreign Box Office: 'Mission:Impossible -- Ghost Protocol' Remains No. 1 Overseas for Third Consecutive Stanza". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (January 8, 2012). "Foreign Box Office: Second 'Sherlock Holmes' Dethrones Fourth 'Mission: Impossible' As No. 1 Attraction Overseas". The Hollywood Reporter. Retrieved July 4, 2012.
- Blair, Gavin (February 15, 2012). "'The Girl With The Dragon Tattoo' Opens Big In Japan". The Hollywood Reporter. Retrieved July 4, 2012.
- Mackey, Michael (February 13, 2012). "‘The Girl with the Dragon Tattoo’ Withdrawn From Release in Vietnam". The Hollywood Reporter. Retrieved July 4, 2012.
- Child, Ben (January 30, 2012). "The Girl with the Dragon Tattoo cancelled in India". The Guardian. Guardian News & Media. Retrieved July 4, 2012.
- "The Girl with the Dragon Tattoo". Flixster. December 20, 2011. Retrieved March 23, 2012.
- Whitman, Howard. "Blu-ray Review: The Girl with the Dragon Tattoo (2011)". Technologytell. Retrieved March 22, 2012.
- "Girl With The Dragon Tattoo original DVD looks like a bootleg copy". Ubergizmo. Retrieved July 5, 2012.
- "‘Girl With the Dragon Tattoo’ Bootleg Packaging Fools Consumers". Mashable. Retrieved July 5, 2012.
- "DVD Sales: Muppets Show How it's Done". The Numbers. Nash Information Services. April 3, 2012. Retrieved July 5, 2012.
- "DVD Sales: Alvin Hops to the Top". The Numbers. Nash Information Services. April 10, 2012. Retrieved July 5, 2012.
- "The Girl with the Dragon Tattoo - DVD Sales". The Numbers. Nash Information Services. Retrieved January 14, 2014.
- McClintock, Pamela (December 22, 2012). "Box Office Report: Tom Cruise's 'Mission: Impossible 4' Shoots to No. 1". The Hollywood Reporter. Retrieved July 4, 2012.
- McClintock, Pamela (December 25, 2012). "Box Office Report: 'Mission: Impossible 4' Christmas Victor, Tom Cruise is Back". The Hollywood Reporter. Retrieved July 4, 2012.
- Sacks, Ethan (December 28, 2012). "‘Girl With Dragon Tattoo’ sequels a mystery". Daily News. Mortimer Zuckerman. Retrieved July 4, 2012.
- Hertzfeld, Laura (December 26, 2011). "'The Girl with the Dragon Tattoo': Lots of hype, but weak box office. What gives?". Entertainment Weekly. Time Inc. Retrieved July 4, 2012.
- Orzeck, Kurt (January 3, 2012). "Despite poor box office, "Dragon Tattoo" sequel moves ahead". Reuters. Retrieved July 4, 2012.
- Kaufman, Amy (December 21, 2012). "Box Office: 'Girl With the Dragon Tattoo' has aggressive launch". Los Angeles Times. Tribune Company. Retrieved July 4, 2012.
- McClintock, Pamela (January 2, 2012). "Box Office Report: Tom Cruise's 'M:I 4' Big Holiday Victor, Earns $366.5 Mil". The Hollywood Reporter. Retrieved July 4, 2012.
- McClintock, Pamela (January 8, 2012). "Box Office Report: 'The Devil Inside' Opens to Record Breaking $34.5 Mil". The Hollywood Reporter. Retrieved July 4, 2012.
- McClintock, Pamela (January 22, 2012). "Box Office Report: 'Underworld 4' Nabs $25.4 Mil, 'Red Tails' Overperforms With $19.1 Mil". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (December 26, 2012). "Foreign Box Office: 'Mission: Impossible - Ghost Protocol' Finishes in Top Spot for Second Straight Weekend". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (January 15, 2012). "Foreign Box Office: 'Sherlock Holmes: A Game Of Shadows' Still No. 1 Overseas". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (January 22, 2012). "Foreign Box Office: 'Sherlock Holmes: A Game Of Shadows' Hangs on as No. 1 for Third Straight Weekend". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (January 29, 2012). "Foreign Box Office: 'Mission: Impossible--Ghost Protocol' Retakes Top Spot; 'Descendants' Jumps to No. 4". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (February 12, 2012). "Foreign Box Office: 'Journey 2' Outpoints 'Star Wars' Reissue, Seizes No. 1 Spot Overseas". The Hollywood Reporter. Retrieved July 4, 2012.
- Segers, Frank (February 19, 2012). "Foreign Box Office: 'Journey 2' Repeats as No. 1 Overseas". The Hollywood Reporter. Retrieved July 4, 2012.
- Lieberman, David (March 22, 2012). "The Girl with the Dragon Tattoo director lashes out at US remake". Deadline. Retrieved June 6, 2012.
- "The Girl with the Dragon Tattoo (2011)". Flixster Rotten Tomatoes. Retrieved December 21, 2011.
- "Critic Reviews for The Girl with The Dragon Tattoo (2011)". Metacritic. January 3, 2012. Retrieved January 3, 2012.
- Denby, David (December 5, 2011). "Double Dare". The New Yorker. Condé Nast Publications. Retrieved December 13, 2011.
- Puig, Claudia (December 19, 2011). "David Fincher's 'Dragon Tattoo' has style to burn". USA Today. Gannett Company. Retrieved July 5, 2012.
- Knight, Chris (December 20, 2011). "Review: David Fincher makes his mark with The Girl with the Dragon Tattoo". National Post. Postmedia Network. Retrieved July 5, 2012.
- Rodriguez, Rene (December 20, 2011). "'The Girl with the Dragon Tattoo' (R)". The Miami Herald. David Landsberg. Retrieved July 5, 2012.
- Travers, Peter (December 22, 2011). "The Girl With The Dragon Tattoo". Rolling Stone. Retrieved July 5, 2012.
- Scott, A. O. (December 19, 2011). "The Girl With the Dragon Tattoo (2011)". The New York Times. The New York Times Company. Retrieved July 5, 2012.
- Morgenstern, Joe (December 23, 2011). "'Tattoo': Raw, Rousing and Rather Redundant". The Wall Street Journal. Dow Jones & Company. Retrieved July 5, 2012.
- Reed, Rex (December 14, 2011). "Girl With the Dragon Tattoo is Quite the Swedish Dish". The New York Observer. Jared Kushner. Retrieved July 5, 2012.
- Smith, Kyle (December 19, 2011). "Glaring problems". New York Post. Paul Carlucci. Retrieved January 15, 2012.
- Ebert, Roger (December 19, 2011). "The Girl with the Dragon Tattoo". Chicago Sun-Times. Sun-Times Media Group. Retrieved December 19, 2011.
- Gleiberman, Owen (December 13, 2011). "The Girl with the Dragon Tattoo". Entertainment Weekly. Time Inc. Retrieved December 13, 2011.
- Chang, Justin (December 13, 2011). "The Girl with the Dragon Tattoo review". Variety. Reed Business Information. Retrieved January 17, 2012.
- O'Hehir, Andrew (December 20, 2011). ""The Girl With the Dragon Tattoo": A bigger, darker Swedish nightmare". Salon. Salon Media Group. Retrieved July 5, 2012.
- Tobias, Scott (December 20, 2011). "The Girl with the Dragon Tattoo review". The A.V. Club. The Onion. Retrieved January 17, 2012.
- Germain, David (December 13, 2011). "Review: 'Dragon Tattoo' kicks proverbial butt". Associated Press. Retrieved December 13, 2011.
- "Best Movies Of 2011". MTV (Viacom). December 16, 2011. Retrieved July 5, 2012.
- Beradinelli, James (December 31, 2011). "Rewinding 2011: The Top 10". ReelViews. Retrieved July 5, 2012.
- Taylor, Drew (December 24, 2011). "Drew Taylor's Favorite Films Of 2011". indieWire. Snagfilms. Retrieved July 5, 2012.
- "Critics pick the best movies of 2011". Metacritic. December 8, 2011. Retrieved July 5, 2012.
- Wilson, Calvin (December 31, 2011). "A second take on the year's best films". St. Louis Post-Dispatch. Kevin Mowbray. Retrieved July 5, 2011.
- LaSalle, Mick (December 25, 2011). "Movies: 'The Artist' tops Mick LaSalle's 2011 list". San Francisco Chronicle. Hearst Corporation. Retrieved July 5, 2012.
- Scott, Mike (December 30, 2011). "Times-Picayune movie critic Mike Scott reveals his list of the Top 10 Films of 2011". New Orleans Times-Picayune. Ashton Phelps Jr. Retrieved July 5, 2011.
- "AFI Awards 2011". American Film Institute. Retrieved July 5, 2012.
- "Named 2011 Best Film of the Year by the National Board of Review". National Board of Review of Motion Pictures. December 1, 2011. Retrieved July 5, 2012.
- "2011 EDA Awards Winners". Alliance of Women Film Journalists. Retrieved July 6, 2012.
- "The American Society of Cinematographers Nominates". American Society of Cinematographers. January 11, 2012. Retrieved July 6, 2012.
- Kemp, Stuart (January 16, 2012). "BAFTA 2012 Nominations: 'The Artist,' 'Tinker Tailor Soldier Spy,' 'Hugo' Lead All Categories". The Hollywood Reporter. Retrieved July 6, 2012.
- Kelly Nelson, Liz (December 13, 2011). "Critics Choice Movie Awards: 'The Artist,' 'Hugo' snag multiple nominations". Zap2it. Retrieved December 13, 2011.
- Tapley, Kristopher (January 2, 2012). "'Tree of Life' leads the way with Central Ohio critics nominations". HitFix. Retrieved July 6, 2012.
- Tapley, Kristopher (December 16, 2011). "'Tree of Life' leads Chicago film critics nods". HitFix. Retrieved July 6, 2012.
- Tapley, Kristopher (January 5, 2012). "'Descendants' leads with Denver critics nods". HitFix. Retrieved July 6, 2012.
- Kemp, Stuart (January 16, 2012). "Directors Guild of America Awards 2012: Complete Winners List". The Hollywood Reporter. Retrieved July 6, 2012.
- "The 69th Annual Golden Globe Awards Nominations". Hollywood Foreign Press Association. December 15, 2011. Retrieved July 6, 2012.
- Warner, Kara (April 30, 2012). "2012 MTV Movie Awards Nominees: The Full List". MTV (Viacom). Retrieved July 6, 2012.
- "National Board of Review winners". USA Today. Gannett Company. January 10, 2012. Retrieved July 6, 2012.
- "Oklahoma Film Critics Circle names "The Artist" best film of 2011". Oklahoma Film Critics Circle. December 23, 2011. Retrieved July 6, 2012.
- Karger, Dave (January 3, 2012). "Producers Guild Top 10: 'Dragon Tattoo,' 'Ides of March' in; 'Tree of Life' out". Entertainment Weekly. Time Inc. Retrieved July 6, 2012.
- Tapley, Kristopher (December 19, 2011). "The Artist' wins five from St. Louis critics". HitFix. Retrieved July 6, 2012.
- Tapley, Kristopher (December 12, 2011). "'The Artist' and 'Drive' lead with St. Louis critics". HitFix. Retrieved July 6, 2012.
- Knegt, Peter (December 5, 2011). ""The Artist" Leads Washington Critics' Awards". indieWire. Snagfilms. Retrieved July 6, 2012.
- "2012 Writers Guild Awards Screen Nominees Announced". Writers Guild of America. January 5, 2012. Retrieved July 6, 2012.
- "Winners at the 84th annual Academy Awards". USA Today. Gannett Company. February 27, 2012. Retrieved July 6, 2012.
- Michaels, Sean (May 2, 2012). "Kerrang! awards 2012: You Me at Six lead nominations". The Guardian. Guardian News & Media. Retrieved July 6, 2012.
- "RISE OF THE PLANET OF THE APES and SUPER 8 lead Saturn Awards with 3 awards each.". saturnawards.org. July 26, 2012. Retrieved July 27, 2012.
- "Title unknown". NARAS/grammy.com. Retrieved January 30, 2013.[not in citation given]
- Weintraub, Steve (December 18, 2011). "The Girl with the Dragon Tattoo Sequels Likely Shooting Back to Back". Collider. Retrieved September 9, 2014.
- Nicholson, Max (August 22, 2012). "Dragon Tattoo Sequel Delayed". IGN. Retrieved September 2, 2012.
- Chadwick, Will (August 27, 2012). "David Fincher Gives Updates On The Girl Who Played With Fire And House Of Cards". WeGotThisCovered.com. Retrieved August 31, 2012.
- Davis, Edward (July 17, 2013). "Exclusive: Andrew Kevin Walker Rewriting ‘Dragon Tattoo’ Sequel; David Fincher's ‘20,000 Leagues’ Is Dead". IndieWire: The Playlist.
- Madison, Charles (September 11, 2014). "David Fincher still has hope for Dragon Tattoo sequels". filmdivider.com. Retrieved September 25, 2014.
- "Cannes 2014: Rooney Mara Wants to Do Another Girl With the Dragon Tattoo Movie!". E! Online. 15 May 2014. Retrieved 15 April 2015.
- "Rooney Mara: Girl With the Dragon Tattoo Sequel Is Pretty Much Dead". E! Online. Retrieved 26 February 2015.
|40x40px||Wikimedia Commons has media related to The Girl with the Dragon Tattoo (2011 film).|
|40x40px||Wikiquote has quotations related to: The Girl with the Dragon Tattoo (2011 film)|
- Official website
- Official website for the soundtrack
- The Girl with the Dragon Tattoo at the Internet Movie Database
- The Girl with the Dragon Tattoo at the Swedish Film Institute Database
- The Girl with the Dragon Tattoo at AllMovie
- The Girl with the Dragon Tattoo at Rotten Tomatoes
- The Girl with the Dragon Tattoo at Metacritic
- The Girl with the Dragon Tattoo at Box Office Mojo
- Vanger Family Tree