Cover to Transmetropolitan Vol. 2 TPB.
Art by Darick Robertson.
|Publisher||Helix, Vertigo (imprints of DC Comics)|
|Genre||Cyberpunk, science fiction|
|Number of issues||60|
Transmetropolitan is a cyberpunk, transhumanist comic book series written by Warren Ellis co-created and designed by Darick Robertson and published by DC Comics. The series was originally part of the short-lived DC Comics imprint Helix, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future, an homage to gonzo journalism founder Hunter S. Thompson. Spider Jerusalem dedicates himself to fighting the corruption and abuse of power of two successive United States presidents; he and his "filthy assistants" strive to keep their world from turning more dystopian than it already is while dealing with the struggles of fame and power, brought about due to the popularity of Spider via his articles.
The monthly series began in July 1997 and came to its conclusion in September 2002. The series was later reprinted in an array of ten trade paperback volumes, and also featured two "specials" (I Hate It Here and Filth of the City) with text pieces written by the Spider Jerusalem character and illustrated by a wide range of comic artists. These were later collected in trade paperbacks.
Some time in the future (how long precisely is never specified, but said to be in the 23rd century) Spider Jerusalem, retired writer/journalist and bearded hermit, lives in an isolated, fortified mountain hideaway, retired from City life for the last five years. Following a call from his irate publisher demanding the last two books per his publishing deal, Jerusalem is forced to descend into The City, a twisted amalgam of pervasive consumerism, sex, violence, and drugs. However, this futuristic culture is highly self-centered and focused almost exclusively on present-day matters. "Revivals" from cryogenic stasis are largely ignored and left to fend for themselves on the streets, and people almost never visit the cultural "Reservations" which were established for the sole purpose of preserving past civilizations. No one even knows the current calendar year (this fact revealed by Spider in Issue #42), so the dates of events are always referred to relative to the present day.
Jerusalem returns to work for his old partner and editor Mitchell Royce, who now edits The Word, the City's largest newspaper. His first story is about an attempted separatist secession by the Transient movement (people who use genetic body modification based on alien DNA to become a completely different species, forced to live in the Angels 8 slum district). The police stage a riot and use it as an excuse to clear out Angels 8, but Jerusalem publishes a story revealing this and forces the police to withdraw. He is brutally beaten by police on his way home.
The first year of the series is a set of one-off stories exploring The City, Spider's background, and his often tense relationship with his assistants/sidekicks, Yelena Rossini and Channon Yarrow (referred to as his 'filthy assistants'), who become his full-time partners in his journalistic battles as the series progresses.
The main storyline of the series, the election and corrupt presidency of Gary Callahan (or "The Smiler"), begins in the series' second year and lasts the rest for the rest of its run. Spider initially considers Callahan the lesser evil compared to the incumbent president ("The Beast"), but his investigation into Callahan's past and his ties with a right-wing hate group leads to Callahan having his own campaign manager, Vita Severn, a friend of Spider's, murdered. In a one-on-one meeting, Spider realizes that Callahan is not merely corrupt, but is a complete lunatic who wants to be President solely to hurt people with his new power. To Spider's horror, the people vote Callahan into office by a wide margin.
Once elected, Callahan begins to use his presidential power to torment Spider. Spider narrowly escapes a police massacre of people protesting how a recent hate crime was investigated. The police refused release footage of the incident because it reveals several police officers watching the crime occur without interfering. Spider writes a story revealing the truth about the crime and subsequent engineered massacre, but Callahan spikes it via "D-Notices," government censorship of stories that could "embarrass" the country and the Callahan administration. After being informed of the "D-Notice," Spider leaks the story via a news feedsite called "The Hole" and follows it up with a story exposing Callahan's corrupt circle of advisers, one of whom is a pedophile. When Royce runs the story, Callahan forces the paper's board of directors to fire Spider, who makes an agreement to publish his future stories with "The Hole." However, Callahan arranges for the City to be left defenseless from a hurricane-like "ruinstorm" that ravages the City and kills thousands, uses the chaos to destroy the evidence Spider has gathered against him, and places the city under martial law after the storm ends. Royce manages to retrieve the evidence, but during the ruinstorm Spider collapses and is diagnosed with an incurable degenerative neurological illness with similar symptoms to Alzheimer's and Parkinson's disease. With about a year before dementia renders him dysfunctional and with only a 1% chance of escaping this fate, Spider increases his vendetta against Callahan, ultimately exposing his evil deeds and bringing the President down.
Spider returns to his mountain home in the final issue epilogue. Royce comes to visit, and the assistants show him around the house while explaining that Spider's disease is progressing. It is revealed that Channon has a book deal, and Yelena is taking a journalistic role similar to Spider's. Out in the garden, Spider tells Royce that the disease is so advanced that he cannot light his own cigarettes, and he forgets one day out of seven. However, when Royce leaves, Spider pulls out a package of cigarettes and what appears to be a handgun. He appears to be placing the barrel under his chin, until it's revealed in the next panel that it's actually a lighter. He lights the cigarette and then spins the lighter on his finger, suggesting that he was in fact one of the 1% of patients who recover from the disease, and is now merely faking his illness so that he may enjoy his retirement in peace.
The series was originally published under DC Comics's then-new science fiction Helix imprint. When the Helix line was discontinued, Transmetropolitan was the only ongoing series of the line which had not been canceled. It switched to the Vertigo imprint, starting with issue #13. The entire set of trade paperbacks are now published under the Vertigo label.
|Volume||Old Printing||ISBN||New Printing||ISBN|
|Vol. 1: Back on the Street||#1–3|| ISBN 1-56389-445-9
|#1–6|| ISBN 1-4012-2084-3|
|Vol. 2: Lust for Life||#4–12|| ISBN 1-56389-481-5
|#7–12|| ISBN 1-4012-2261-7|
|Vol. 3: Year of the Bastard||#13–18 and story from Vertigo: Winter's Edge II|| ISBN 1-56389-568-4
|#13–18|| ISBN 1-4012-2312-5|
|Vol. 4: The New Scum||#19–24 and story from Vertigo: Winter's Edge III|| ISBN 1-56389-627-3
|#19–24 and stories from Vertigo: Winter's Edge II and III|| ISBN 1-4012-2490-3|
|Vol. 5: Lonely City||#25–30|| ISBN 1-56389-722-9
|#25–30|| ISBN 1-4012-2819-4|
|Vol. 6: Gouge Away||#31–36|| ISBN 1-56389-796-2
|#31–36|| ISBN 1-4012-2818-6|
|Vol. 7: Spider's Thrash||#37–42|| ISBN 1-56389-894-2
|#37–42|| ISBN 1-4012-2815-1|
|Vol. 8: Dirge||#43–48|| ISBN 1-56389-953-1
|#43–48|| ISBN 1-4012-2936-0|
|Vol. 9: The Cure||#49–54|| ISBN 1-56389-988-4
|#49–54|| ISBN 1-4012-3049-0|
|Vol. 10: One More Time||#55–60|| ISBN 1-4012-0217-9
|#55–60 and the specials Transmetropolitan: I Hate It Here and Transmetropolitan: Filth of the City|| ISBN 1-4012-3124-1|
|Vol. 0: Tales of Human Waste||Contains specials Transmetropolitan: I Hate It Here and Transmetropolitan: Filth of the City along with "Edgy Winter" from Vertigo: Winter's Edge II|| ISBN 1-4012-0244-6
|Content moved to Volume 10 (specials) and 4 (Winter's Edge)||N/A|
In other media
Co-creators Ellis and Robertson were approached about making a Transmetropolitan film adaptation, with Patrick Stewart's production company Flying Freehold Productions' offering to option the rights in February 2003. Later, the burgeoning Internet boom led to an offer to create an online animated film series, with Stewart providing the voice of Spider Jerusalem, but the project never fully developed. Rumours have stated that Ellis and Robertson have indicated that they would like to see Tim Roth play the character of Spider Jerusalem, however during a panel at London's Kapow! comic convention Ellis said that there is no chance of seeing Spider Jerusalem on the big screen and Tim Roth was not discussed to play him. He further explained that production costs would be too expensive to bring Transmetropolitan to the big screen.
Transmetropolitan remains unfilmed. In 2010, Ellis noted in his Twitter account that no production was underway.
Some items of Transmetropolitan merchandise have been made, Robertson himself having produced one T-shirt: a black shirt with a three-eyed smiley face on the front with the text "I Hate It Here" in yellow on the back. DC Direct has produced five products: a black T-shirt with an image of Spider Jerusalem lifted from the comic's interiors with the text "Spider Jerusalem. Cheap. But not as cheap as your girlfriend". They produced an action figure in the early stages which featured Jerusalem wearing nothing but his trademark boxer shorts so as to show off his tattoos, and a variant figure that is giving the finger and holding a bowel disruptor. The third is a statue of Jerusalem, in the same state of near-nudity, sitting on the toilet growling into his cell phone and arguing with his editor Mitchel Royce, who is visible on his small laptop computer on the base. The fourth is a wristwatch with the three-eyed Transient smiley as the watch's face; and the fifth is a replica of Spider's trademark glasses.
- Yayanos, Meredith (December 18, 2000). "Transmetropolitan's Warren Ellis". Publishers Weekly (Reed Elsevier). Retrieved 2008-10-28.[dead link]
- "COMICS: Mot Just For Speciality Stores Anymore". Publishers Weekly. October 16, 2000. Retrieved 2008-10-28.
Sometimes the cart is pulling the horse--DC/Vertigo's Transmetropolitan, a dark science-fiction satire about a gonzo journalist in a sprawling future city, is the textbook example of a well-regarded comic for older readers that pulled itself up from poor sales with the help of some heavily promoted collections.[dead link]
- Cascio, Jamais (May 22, 2004). "The Transmetropolitan Collection". Worldchanging. Retrieved 2008-10-28.
- De Blieck Jr., Augie (May 18, 2001). "Transmetropolitan: Filth of the City". Comic Book Resources.
- Bukatman, Scott (2003). Matters of Gravity. Durham: Duke University Press. p. 209. ISBN 978-0-8223-3119-3.
- Goodsmith, Edward (2008-01-29). "Warren Ellis on 'Transmetropolitan'". Comics2Film. Retrieved 2008-03-27.
- "Transmetropolitan Update". The Z Review. The Z Review. 2003. Archived from the original on 2008-07-19. Retrieved 2008-03-27.
|40x40px||Wikiquote has quotations related to: Transmetropolitan|
- Darick Robertson Studios Home page
- "The Transmetropolitan Condition", interview with Warren Ellis, conducted by Melanie MacBride (28 October 2002)